Wrapped snug around her arms? A shaggy, off-white faux fur stole with a bit of volume and no visible closure. Clutched, not worn. Like she’s warding off January chill with featherlight bravado. The earrings dangle, pretty, but unremarkable in a safe kind of way. It’s the fabric that carries the noise: ultra-shiny, borderline foil, throwing back every bit of event lighting. She paired the look with clear heels—plastic, not perspex—adding that final nod to early-aughts DIY glamour. Nails? Clean. Hair slicked up, not high, not aggressive. Just tight and high-shine. A neat bun without bravado.
Gemma Chan wore a black velvet gown with metallic accents at the Giorgio Armani Privé show during Paris Haute Couture Week in January 2026.
At the Giorgio Armani Privé Spring/Summer 2026 Haute Couture show in Paris on January 27, Gemma Chan delivered something so pared back it bordered on severe—but that’s what made it land. The dress: black velvet, floor-length, long-sleeved, no skin, no frills. Only texture. A structured silhouette with faint curve at the hip and defined shoulders. Matte, heavy fabric catching just enough shadow to move.
Light shimmer hits at the cuffs and around the neck—mock collar, split open into a stiff bow in the same glitter-dusted black. It’s not fussy, but definitely not careless. Glimmers just when the light permits. A black clutch, subtle weave texture, minimal hardware. Matching pointed pumps. Silver tones in small drop earrings. Makeup centered on a single idea: red lips, clean lines. No styling frills. It’s all clinical, cool, and almost monastic in mood.
Moss fused jungle kitsch with garden-party glam at the Naked Gun premiere—her pink leopard-floral gown a maximalist wink on Leicester Square’s purple carpet.
On July 22, 2025, Lottie Moss stepped onto the purple carpet at Cineworld Leicester Square for the UK premiere of The Naked Gun—and brought with her a look that felt like a fever dream of florals, feline prints, and unapologetic fun.
