Madelaine Petsch wore a crimson cutout silk dress with strappy heels at the Los Angeles special screening of The Strangers Trilogy.
There’s a cinematic quiet in how Madelaine Petsch arrives. No heavy poses, no flash-drama gesture–just a straight-lined gaze and that saturated red. The dress, a deep metallic crimson, holds close through the torso before tapering down in a smooth fall that stops mid-calf. Its halter-style straps knot and cross along her shoulders, almost sculptural, framing the neckline like an intentional flourish.
The fabric catches light with barely any reflection, absorbing it instead, matte but alive. She paired it with simple black sandals, slender straps letting the polish of the look rest on the color itself. Her hair’s tied back, strands left loose to soften the angular cut of the dress. The makeup stays neutral–warm toned lips, pale lids, no competing gold shimmer. Just her skin, the red, and the faint cool of stage lights.
Amelia Hamlin wore a gold lace-trimmed slip dress with a vivid blue fur coat at FX’s The Beauty premiere in New York City.
At FX’s The Beauty premiere in New York, Amelia Hamlin didn’t so much arrive as dominate the frame. A gold satin slip dress–lace-trimmed, barely structured, almost liquid under the lights–set the tone. Over it, she threw on a massive electric blue fur coat that looked too much and just right at the same time. The contrast wasn’t delicate; it was audible — a collision between Hollywood glamour and downtown irony.
The slip itself runs close to lingerie, yet her composure kills the vulnerability of the fabric. Accessorizing was spare: a thick, sculptural diamond necklace against the gold and a pair of sharp black heels for weight. The coat’s volume forces balance, each movement turning into a gesture. Her hair fell in clean waves over one shoulder, the makeup cool, measured, and strategically unbothered.
Trew Mullen appears in Numéro Netherlands January 2026, photographed in multiple editorial looks that highlight texture, mood, and avant-garde styling.
Look One
Oversized light blue ruched garment, buttons large, sleeves voluminous. Draped silhouette, loose, almost coat-like. Black loafers with white socks, one boot held in hand. The styling feels offbeat, deliberate, almost mischievous.
Look Two
Green and black striped sweater, buttoned collar neat. Green skirt paired with tights, black shoes grounding the look. Seated on wooden chair, legs crossed, hand under chin. Minimalist setting, contemplative pose.
Look Three
Light pink button-up shirt, patterned tie, black trousers. White socks, black shoes, trench coat draped over shoulders. Seated on director’s chair, spotlight behind. Hair long, hand resting on face. Vintage editorial energy, muted palette.
Look Four
Light shirt, sleeves rolled, tie loose. Tattoo visible on inner arm. Pose casual, one arm bent, hand resting on forearm. Background neutral, lighting soft. The mood moody, artistic, pared down.
