Madelaine Petsch wore the Afrm Jemima pinstripe blazer dress and black pointed-toe heels at Women in Entertainment 2025.
Madelaine Petsch’s appearance at Women In Entertainment 2025 was a sharp exercise in power dressing with a red carpet twist. She wore the Afrm Jemima pinstripe blazer dress , styled with black pointed-toe heels . The silhouette was structured, the pinstripes precise — a visual language borrowed from corporate codes and reinterpreted for celebrity optics.
The blazer dress wasn’t just a garment — it was a gesture. It signaled authority, clarity, and control, while the short hemline and deep neckline added a note of evening formality. The pinstripes, traditionally masculine, were reframed here as directional texture.
Petsch’s styling was minimal but strategic. No visible jewelry, no competing accessories — just the dress, the shoes, and the stance. Her pose, upright and centered, reinforced the outfit’s editorial logic. This wasn’t a look built for softness. It was built for presence.
Amelia Hamlin wore a shimmering long-sleeved mini dress with a metallic belt and heels at Fashion Awards 2025.
Amelia Hamlin’s appearance at The Fashion Awards 2025 was a glittering exercise in silhouette control. She wore a shimmering long-sleeved mini dress with a metallic belt and high-heeled sandals . The dress’s surface caught light like a disco ball, but the cut was pure editorial — short, structured, and deliberate.
The sleeves added volume, the belt added definition, and the hemline introduced movement. This wasn’t sparkle for sparkle’s sake — it was engineered gleam. The metallic belt wasn’t just an accessory; it was a hinge. It turned the look from festive to focused.
Gwyneth Paltrow wore a white textured long-sleeved dress with a front slit and red heels at Women in Entertainment 2025.
Gwyneth Paltrow’s appearance at Women In Entertainment 2025 was a study in tonal discipline and silhouette control. She wore a white textured long-sleeved dress with a front slit , styled with red high-heeled shoes . The ensemble was clean, but not sterile — the texture added depth, the slit introduced movement, and the red heels punctuated the palette with precision.
The dress’s long sleeves and high neckline suggested restraint, but the slit disrupted that narrative — a deliberate tension between coverage and exposure. The texture, subtle but present, resisted flatness and gave the fabric a sculptural quality. The red heels weren’t just contrast — they were punctuation.
