Madelaine Petsch commands the Photobook Magazine cover, championing a dramatic, hooded high fashion styled shoot that blends utilitarian severity with striking, luxe jewelry.
The essence of this magazine cover is the silhouette: Madelaine Petsch embodies a figure of severe, modern elegance in a black leather garment —a hooded coat or jacket—with dramatically voluminous sleeves and an almost sculptural hood pulled over her head. This look, captured by Mike Ruiz, is an immediate, intense focal point, suggesting a mood that is both protective and intensely sensual. The texture of the matte black leather contrasts beautifully with the fiery hue of her natural red hair, peeking out from beneath the hood.
The hands, brought up to frame the face, showcase a dazzling array of geometric, stacked rings and slender bands—the only apparent accessories, which serve to punctuate the darkness of the coat with subtle light. The styling is hyper-focused on the facial features: her makeup features a soft smoky eye and a matte lip in a warm, fleshy tone, ensuring the impact is entirely in her direct, confident expression.
What does the visual text of Photobook and the clear, bold placement of her name suggest? That this is an editorial built on star power and unadulterated photographic focus. There’s a certain power that comes with reducing a look to its most elemental, yet most dramatic, forms—the confident gaze, the protective hood, the metallic flash of the rings. It’s an approach to the celebrity photoshoot that whispers of architectural strength and quiet authority.
Is this the modern way to do power dressing—less shoulder pad, more cowl neck?
Maya Hawke champions cinematic isolation for Autre Magazine, unveiling a fashion photoshoot look defined by a dark, architectural shoulder and a deeply melancholic mood.
The entire editorial is built around a single, striking garment: a dark, broad-shouldered coat in a heavy, structured wool or felt. The exaggerated shoulder line and A-line skirt volume create a powerful, triangular silhouette that is both dramatic and slightly protective. This is less a coat for warmth and more a wearable sculpture, cinched sharply at the waist with a thin, contrasting brown leather belt to provide a feminine counterpoint to the masculine cut.
The atmosphere captured in this styled shoot is one of profound, artistic contrast. Posing stiffly on a faded blue swing set, the juxtaposition of the severe high fashion tailoring against the mundane backdrop of a backyard playground is intensely poetic. Her expression is equally complex—a direct, contemplative gaze that defies the casual setting.
Elsa Hosk embodies dramatic high fashion for the Vogue Czechoslovakia October 2025 issue, traversing a complex fashion spread of romantic decay and sharp, modern architecture.
The Power of Silhouette: Heart and Shoulder
The editorial’s standout is a look that fuses theatricality with severe elegance. Hosk unveils a black maxi-dress that demands attention—an architectural statement piece defined by dramatically exaggerated, structured shoulders reminiscent of 1980s power dressing. The high turtleneck and floor-sweeping length provide a minimalist canvas for the truly arresting detail: a sequined, silver heart-shaped bodice that sits centrally on the chest, creating a corseted, almost anatomical illusion. The texture of the heart, densely packed with glittering micro-beads, contrasts starkly with the matte black fabric of the dress, giving the entire styled shoot a subversive sense of romance and structural rigidity.
The remaining looks plunge into a moodier, more decadent territory. In a warmly-lit indoor setting, Hosk poses in a black off-the-shoulder slip dress layered over striking black floral lace tights . The unexpected pairing of sheer lace hosiery with a delicate dress transforms the studio portrait into a moment of sultry, undone glamour. A contrasting outdoor shot features a darkly luxurious brown crushed velvet dress —the rich texture emphasized by subtle side-zip detailing and paired with tall, black equestrian-style boots that inject an element of grounded precision.
Finally, the magazine cover itself is a work of romantic collage: Hosk reclines in a flowing, intricately detailed white lace gown or layering piece, exposing a hint of skin and embodying the soft, ethereal side of high fashion . Her hair, styled in loose, lived-in blonde waves across all scenes, and her makeup, a natural and dewy beauty shot standard, act as the unifying thread, preventing the intense fashion from overpowering the model’s innate appeal.
This celebrity photoshoot masterfully plays with juxtaposition: rigid versus fluid, light versus dark, minimal architecture versus maximalist texture. It defines a fashion spread that is less about clothing and more about the cultural dialogue between historical costume and future-forward structure.
