Madelyn Cline and Brooks Nader were spotted leaving the Chateau Marmont Hotel in West Hollywood on January 24, 2026, both in chic contrasting evening looks.
Late‑night Los Angeles, the streetlights hazy from rain. Madelyn Cline and Brooks Nader emerge from the Chateau Marmont Hotel , hand in hand, looking like two sides of the same coin — one sleek, one warm.
Cline wears a black blazer‑dress , cut crisp and boxy, legs framed by sheer tights and pointed heels that catch a faint reflection on the wet pavement. A long clutch bag , tucked neatly under her arm, gives the look a hint of editorial precision, softening only when she grins down at their joined hands.
By contrast, Nader walks in faded denim and a deep‑cut black bodysuit , layered under a brown fur stole that feels unapologetically old‑Hollywood. Black stilettos and a dark bag with fur pom accents finish the picture — relaxed but not careless. It’s the kind of casual polish you don’t train for; it just happens after you’ve attended too many dinners in too many heels.
Do you think this balance of structure and softness defines the next phase of Hollywood street style , or is it still pure coincidence?
Amelia Dimoldenberg reflects on awkward charm, fashion, and creative control in Puss Puss AW24.
In the Autumn/Winter 2024 issue of Puss Puss, Amelia Dimoldenberg sits at the center of a feature that’s part interview, part character sketch. The layout opens with a bold black “A” and a typewriter-style block of text that feels like a nod to her deadpan delivery. It’s not glossy. It’s not trying to be clever. It just is.
She talks about turning 30 like it’s a long-awaited milestone. “This is the age I was always meant to be,” she says. There’s no irony in it. Just a kind of quiet satisfaction. Her YouTube show Chicken Shop Date—awkward edits, fried chicken, and flirtation that never quite lands—has become a decade-long experiment in discomfort. And it works. Somehow.
Lili Reinhart wore a croc‑embossed black trench coat from Patou Fall 2025 while attending the brand’s Menswear Fall/Winter 2026‑2027 show in Paris.
Outside the Patou Menswear Fall/Winter 2026‑2027 show during Paris Fashion Week , Lili Reinhart looked sharp and centered — the kind of confidence that moves quietly but registers instantly. She wore a long, structured black trench coat from Patou Fall 2025 , its croc‑embossed texture caught by the gray daylight. The exaggerated lapels and belted waist created clean geometry, modern but not severe. Below, black pointed heels finished the line without stealing focus.
Hair pulled back, makeup minimal, she let the coat do the talking. It’s a look that acts somewhere between vintage mystery and industrial polish — the sort of feminine armor that treats tailoring as statement rather than shield.
