Madelyn Cline and Kiernan Shipka were spotted leaving Paris Hilton’s Infinite Icon afterparty in Los Angeles wearing chic fur outerwear looks.
Outside the Marmont, it’s late — the kind of light that feels more post-party than glamour-glow. Madelyn Cline follows a step behind Kiernan Shipka , both bundled in plush jackets that seem made for warmth as much as style. Cline wears a tan faux-fur coat , the texture soft and muted under the flash. She pairs it with black jeans and pointed ankle boots , a quiet mix of laid-back and lifted — L.A. nonchalance done right. Her hair’s tucked simply behind her ears, minimal makeup, expression relaxed.
Shipka leads in darker tones — her black coat rich and heavy-looking, layered clean over a burgundy top and cropped black trousers . A pop of whimsy comes from her leopard-print handbag finished with a red tassel charm , the kind of accessory that feels impulsive but intentional. Black pumps finish the look, sharp but effortless. She keeps a phone in hand, mid-conversation or maybe just moving past the static hum of cameras.
The moment doesn’t read as “event pose” so much as “let’s get to the car.” The fur, real or faux, acts less as ornament than armor — soft protection from flashes and January chill. Both looks embody functional chic — fashion turned companion for movement, transition, privacy.
Paris Hilton wore a blush pink chiffon gown with crystal detailing and dramatic sleeves at the Infinite Icon: A Visual Memoir world premiere.
The pink carpet in Los Angeles turned a lighter shade of blush when Paris Hilton appeared — one hand lifted, fabric in motion, signature perfection intact. She wore a pale pink gown that floated more than it fit, streaming long across the floor in folds of chiffon. The dress framed her shoulders gently, split into two flowing cape sleeves that moved like soft air behind her. Across the bodice, silver crystal embroidery traced floral lines, anchoring the sweetness with structure.
The neckline dipped modestly, finished with an ornate jewel-encrusted choker that merged into the gown — part collar, part crown. Hilton’s gloves echoed the shimmer, reaching up the arms with a precise, gloved symmetry. Every element of the look, from blush tone to sparkling detail , mirrors her style playbook: nostalgic glamour updated with a measured precision.
Her hair — blonde, swept into a piled-up bun — balanced the gown’s drama by keeping focus on light and face. Slight tendrils framed her cheeks. Makeup stayed consistent with her trademark glow: bronzed skin, fluttered lashes, a cotton-candy lip tint. Against the mauve carpet, she felt like her own theme reinforcement — soft-focus femininity with old-Hollywood edges.
The effect, when seen in person, isn’t just about opulence; it’s restraint within fantasy. The look could’ve tipped into costume, but it doesn’t — instead, it’s timeless in a way uniquely hers. Fashion Verdict: This was Hilton doing what Hilton does best: crafting an instantly defined silhouette that belongs both to the present and to her myth. A gown less worn, more owned.
Jessica Chastain appears in Hia Magazine’s January 2026 issue, styled across multiple outfits with bold jewelry and layered contrasts.
The January 2026 issue of Hia Magazine places Jessica Chastain in a sequence of looks that feel more like fragments of lived-in elegance than polished glamour.
One frame shows her in a light blue dress with sheer overlay, jewelry in silver and blue, necklace and earrings matched. The plain white background strips away distraction, leaving only fabric and shine.
Another image shifts tone. Dark off-the-shoulder garment, sparkling bracelet, dangling earring. Hair neat, posture poised. Again, the white backdrop keeps it clinical, almost too clean, but the jewelry insists on drama.
A softer frame follows. Gray ribbed top, high-neck. Necklace elaborate, teardrop pendant with pink and white stones. Hair loose, backdrop dark gray. Jewelry dominates, clothing recedes.
Finally, a white button-up shirt. Circular pendant necklace, silver bracelet. Plain white background again. It’s stripped down, almost blunt, but the accessories carry the weight.
