Madison Beer wore a sculpted black gown with velvet trim for a fashion photoshoot in February 2026, captured in studio light.
In a subdued studio space, Madison Beer takes the idea of a gown and strips it down to contour, shadow, and curve. No backdrop trickery. No breeze machine. Just atmosphere, fabric, and presence.
She wears a body-hugging black floor-length gown , precise to the centimeter. The cut is sculptural, almost statuesque— thick straps , a wide open bust framed with a velvet trim that draws soft attention inward, and that plunging neckline that walks the line between soft and sharp. Her waist, pinched but not snatched. Her hands loose at her side. She’s not “posing,” she’s just there—and it works.
The gown flows into a slight train behind her, pooled casually on the studio floor. No slit. No slashes. Just fabric that stretches and falls like it knows exactly when to pull back.
Her hair is styled in loose, voluminous waves—believably glamorous without begging for attention. Earrings glint just at the lobe—simple dangle drops—and her mani is classic: long, oval, nude-pink. Same goes for her makeup: glowy skin, softly smoked eyes, lips in a balanced rose. Controlled, but not constructed.
It’s the kind of look that lets the dress do what it’s built for—sculpt and suggest. No chaos. Just symmetry, softness, and stillness pressed into matte light.
The fashion verdict ? A slow burn. The styling whispers, the silhouette knows, and Madison doesn’t need to move an inch to own the frame.
Lili Reinhart wore a textured faux-croc coat with fur collar, boot cut jeans, and gloves while walking in Paris, February 2026.
Hailey Bieber wore a custom Alaïa strapless black gown with sheer paneling and silver jewelry at the 2026 Grammy Awards.
At the 68th Annual Grammy Awards , Hailey Bieber leaned into classicism—with just the faintest pulse of rebellion. She arrived in a custom Alaïa strapless gown , long and liquid, sculpting her frame without flashing it. A narrow silhouette, no trick seams, no disruption. Just long black fabric that pooled gently at her feet.
The subversion was in the fabric choice— sheer side panels curved low down the thighs, creating subtle shapes without outright exposure. The lines were clean, bordering on clinical. No ruffles, no shimmer, no cutouts—just a single Alaïa logo medallion anchoring the top center of the bust, small but deliberate.
A pair of Alaïa leather D’Orsay pumps (black of course) added height without distraction. Jewelry stayed sharp: a chunky silver necklace with geometric weight from Lorraine Schwartz , paired smartly with a matching pair of earrings and her Solow & Co. oval diamond engagement ring tucked into the styling like punctuation you might miss unless you were looking hard.
Hailey’s hair was pulled back in a slicked, center-parted bun. Face sculpted. Brows focused. Lip: matte, rich, just shy of vamp. Not too soft, not too loud. This wasn’t a dress screaming for clicks. It was posture. It was restraint.
The fashion verdict ? Precision elegance. A red carpet moment that says: I could do loud—but I won’t.
