Madison Beer wore a plunging black halter top with coordinating jeans and heeled boots at the Lakers v Timberwolves game on October 24, 2025.
Madison Beer attended the Minnesota Timberwolves v Los Angeles Lakers game at Crypto.com Arena in Los Angeles on October 24, 2025 , seated courtside alongside NFL quarterback Justin Herbert. Beer wore a plunging black halter top paired with coordinating black jeans, a look that balanced casual ease with nightlife polish. She completed the outfit with heeled boots and gold hoop earrings, while a delicate nameplate necklace added a personal touch. The ensemble was understated yet intentional, signaling a preference for sleek minimalism in a setting where cameras are as present as fans.
Rosie Huntington-Whiteley wore a Tom Ford fur jacket with a Saint Laurent lace skirt and The Row sheer top leaving Carbone London on October 24, 2025.
Rosie Huntington-Whiteley was seen leaving Carbone restaurant in London on October 24, 2025 , wearing an ensemble that fused sensual transparency with couture precision. She layered The Row Fadia Sheer Tulle Mockneck Top over the Roberta Jersey Bra Top , paired with a Saint Laurent Wrap Pencil Skirt in Lace . Over this, she draped a Tom Ford Kidassia Fur Jacket , its plush texture contrasting with the delicacy of lace and tulle. Accessories included the The Row Multi Gusset Clutch , Jessica McCormack Hex Large Hoop Earrings , and the Rush Hour Diamond & Gold Triple Take Ring . Completing the look were Saint Laurent L’entracte Slingback Pumps in Satin Crepe and Wolford 10 Denier Control Tights . The result was a head-to-toe study in black, elevated by texture and detail.
This look exemplified the current fascination with “dark glamour”—a trend that reinterprets gothic codes through luxury fabrics and architectural silhouettes. The interplay of sheer tulle, lace, and fur suggested a dialogue between exposure and concealment, a theme resonant in contemporary fashion’s exploration of vulnerability and power. The choice of Carbone, a restaurant synonymous with exclusivity and spectacle, reinforced the performance of the outfit: this was not just dinner attire, but a statement of presence in London’s cultural spotlight.
Matilda De Angelis wore a floor-length black lace gown with tiered layers and a halter neckline at the Dracula red carpet Rome Film Festival 2025.
Matilda De Angelis appeared on the “Dracula” red carpet at the 20th Rome Film Festival on October 24, 2025 , wearing a floor-length black gown that balanced gothic romanticism with modern couture precision. The dress featured a halter neckline with thin straps, a keyhole cutout at the chest, and tiered lace layers that created depth and movement. The geometric lace pattern added a structural edge, while the sheer detailing suggested both delicacy and strength. Against the cinematic backdrop, the gown read as both costume-appropriate and red-carpet ready, a deliberate nod to the film’s dark themes without slipping into parody.
The choice of black lace at a premiere for Dracula was more than thematic—it tapped into fashion’s ongoing fascination with gothic codes. Lace, historically associated with both aristocracy and sensuality, here became a bridge between heritage and contemporary styling. The tiered construction echoed haute couture’s architectural tendencies, while the keyhole cutout modernized the silhouette. In a cultural moment where red carpet fashion often veers toward spectacle, De Angelis’ look suggested a subtler form of drama: one rooted in texture, shadow, and historical resonance.
