Madison Beer wore a black oversized jacket with light denim jeans and shearling slippers in Studio City on February 5, 2026.
There’s something comforting about this kind of outfit — real, uncurated, and walked-in. If you ask me, Madison Beer looks like someone who actually has lunch plans and just grabbed what felt right.
Out for lunch in Studio City on February 5, 2026 , she kept it chill in an oversized black leather jacket layered over a simple black cropped button-up top . The jacket hits long and sits slouchy, with that relaxed drop-shoulder thing going — very much a model off-duty trick that still works. The light-wash straight-leg jeans give balance: not too skinny, not too stiff, just middle-of-the-road and wearable.
Footwear? Pure comfort move. Madison threw on camel-colored shearling slippers — the house kind. Not sneaker-hybrid, not styled-soled. Just real slippers. And somehow, it fits. That’s the part I like most about this outfit — she’s mixing “I’m outside” with “I’m still cozy.”
This is the kind of look that belongs in any gallery of laid-back celebrity street style — because there’s no tension in it. It’s not trying too hard, it’s not selling anything. That oversized black bomber is almost certainly vintage or looks it, and that earns points for not overcomplicating things.
Want something comforting, wearable, and genuinely casual? Here’s your sign.
Haley Bennett wore a structured black belted mini dress with sheer tights and pointed heels at the Wuthering Heights UK Premiere in 2026.
This isn’t your usual red carpet shimmer. There’s something almost blunt about how Haley Bennett approached her moment at the Wuthering Heights UK premiere , and I mean that in the best way.
On February 5, 2026, at Odeon Luxe Leicester Square in London , she showed up in a structured black belted mini dress —sharp shoulders, buttoned-up front, soft trench-style lapels falling open just enough. It rides somewhere between a coat and a statement dress. And it works. The silhouette feels clean. Intentional. Nothing is hanging, dangling, draped. It’s all pulled in and tied at the waist with zero embellishment. No glitter. No sequins. No volume for volume’s sake.
Sheer black tights ground the look, and I really think that’s the detail that matters here. They add this bit of polish while keeping it efficient. Nothing twee. On her feet: minimalist black pointed heels , glossy enough to catch light but restrained. If you’re someone who’s exhausted by gowns trying to out-stage the carpet, this is your outfit. It’s just styled confidence, no drama.
This feels like a smart move for this kind of premiere. The film is heavy. The original novel’s full of storm and stillness—and weirdly, this outfit leans into that mood without trying to match it. It’s dark and self-aware without being loud.
She didn’t need anything else. The dress says enough.
Jennifer Lawrence wore a cream belted coat and wide-leg crepe pants while wheeling her carry-on through JFK Airport on January 28, 2026.
Seen moving coolly through the terminal at JFK on January 28, Jennifer Lawrence nailed what most celebrities—and people—get wrong at the airport: ease that doesn’t feel put on.
She wore a soft cream-colored robe coat , open-collar with enough drop in the shoulders and sweep in the fabric to suggest calm, not collapse. It’s The Row’s Delores cashmere coat , and it hangs like it knows it’s expensive but doesn’t brag. Tied casually at the waist, like she just threw it on over something she plans to live in for nine hours.
Underneath, glimpses of La Ligne’s Colby crepe pants , black and cut wide. Not aggressively tailored. Not athleisure. Just long enough to hover above the floor, clean enough to feel considered, even if the vibe is “don’t stop me at security.” On foot, she slipped into Tory Burch Romy sport Mary Janes —black, flat, Velcro-fastened. Not everyone could get away with it; Lawrence does because she doesn’t try to distract from it.
Beauty was minimal, skin fresh, not overtly layered. Slight flush on the cheek, likely Chanel Joues Contraste in Rose Initial , and a faint matte lippress, Chanel Rouge Allure Velvet 60 Intemporelle topping Rose Naturel lip pencil. Hands held her phone and a Starbucks, but on one ring finger: a clear Alison Lou custom engagement ring , quietly eye-catching if you already had the context.
Perched atop her rolling luggage: the iconic Dior Spring 2026 Book Tote , monogrammed as if it’s done this journey alongside her many times before. Behind her, a bright TUMI Voyageur Oslo carry-on in yellow—function meets pop.
This wasn’t “paparazzi-ready”—it was “do-not-disturb” with investment pieces. And somehow, that’s louder.
