Madison Beer wore a fitted beige top, black shorts, and black heels for her editorial photoshoot with The Sydney Morning Herald in January 2026.
Madison Beer for The Sydney Morning Herald, January 2026. She’s perched on a blue damask bench, legs crossed, one hand behind her, the other resting on the cushion. The room is pale blue, paneled, a little old-world, a little empty. The look is pure photoshoot –a fitted beige top, slightly sheer, with a single shoulder cut-out and faint, abstract prints. Black shorts, high-cut, nothing flashy. Black open-toe heels, sharp, almost severe, but not out of place.
Her hair is long, parted in the middle, falling over one shoulder. Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy. No jewelry, no bag, just the clothes and the pose. The whole thing feels a little bit “model off-duty,” a little bit “caught in between moments.” No drama, no sparkle, just clean lines and a sense of comfort.
Hailee Steinfeld wore a peach Prada custom dress with a Repossi necklace and satin sandals for her Golden Globes photoshoot in January 2026.
Hailee Steinfeld, Golden Globes photoshoot, January 2026. She stands in a pale studio, hands gently cradling her belly, gaze soft, not a hint of nerves. The dress is Prada Custom –peach, long-sleeved, floor-length, covered in vertical silver embellishments that catch the light with every move. The fabric is sheer, but the lines keep it graphic, not fragile. The fit is loose, flowing, with a subtle train that pools behind her.
Her hair is styled in deep waves, parted to the side, old Hollywood but not stiff. Around her neck, a bold Repossi Berbere High End Necklace –thick, silver, almost industrial. On her ear, a Repossi Serti Sur Vide Earcuff . The Prada Platform Satin Sandals are hidden under the hem, but you know they’re there. Makeup is soft, a little glow, lips a muted rose, eyes defined but not heavy.
This is a look that leans into modern glamour, but never feels overdone. The Prada gown is all about movement and light, but Hailee’s styling keeps it grounded–no extra sparkle, no wild hair, just a sense of ease. For those who follow photoshoot , it’s a reminder that sometimes the best move is to let the fabric and the silhouette do the talking.
She could be anywhere–a studio, a gallery, or just lost in her own thoughts. Today, she’s here, and the silver lines do all the work. The rest is just quiet.
Nikki Glaser wore a strapless pink ballgown with a ruched bodice and full skirt at the 83rd Annual Golden Globe Awards in Beverly Hills.
Nikki Glaser at the 83rd Annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, hands on hips, smiling, not a hint of nerves. The dress is pure princess–strapless, pale pink, with a ruched bodice and a full, pleated skirt that sweeps the floor. The fabric is satin, a little shiny, but not stiff. No belt, no wild embellishments, just a couple of rings and small earrings.
Her hair is long, parted in the middle, styled in soft waves. Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy. The whole thing feels easy, a little bit retro, a little bit “I just want to have fun.” No drama, no sparkle, just clean lines and a sense of comfort.
This is a look that leans into classic red carpet glamour–big skirt, soft color, but never feels like a costume. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it simple–one great dress, one great smile, and a little bit of ease.
She could be anywhere–a gala, a wedding, or just lost in the crowd. Tonight, she’s here, and the pink does all the work. The rest is just background noise.
