Madison Beer wore a charcoal mini romper, sheer tights, and black boots during her Interview Magazine signing event in January 2026.
Sat perched on the corner of a table with stacks of glossy magazine covers behind her, Madison Beer looked like the most self-aware editor’s dream. Not overly styled, not calculated — just unfazed mid-moment, pen in hand, signature half-finished. Intimate, but not posed.
She wore a strapless grey mini romper , softly tailored with subtle pleats and button detailing running down the front. The fabric looked like wool suiting pulled from a school blazer, but cut into something far less academic. The shape was neat and squared at the top, tapering into micro hemlines that landed barely mid-thigh.
Paired with it? Sheer black tights , running clean without any visible patterns — adding just enough contrast to keep the romper grounded. On her feet: knee-high black suede boots , smooth, no hardware or overt structure. They sealed the look without competing with it. Minimal, but firm.
Zara Larsson wore a Mannatt Gupta bandeau mini dress at the 2026 Spotify Best New Artist party in West Hollywood.
At the Spotify Best New Artist party in West Hollywood on January 29, 2026, Zara Larsson arrived with visible intent. The Swedish singer chose a sculpted bandeau mini dress by Mannatt Gupta , built from horizontal tape-like ruching that offered both tightness and shimmer in equal measure. The fabric — likely a stretch-satin blend — caught light with a faint pearl sheen , and the body-hugging fit managed to compress without suffocating her frame. Her look balanced polish and play: high-impact pink crystal earrings , chunky duo-tone resin bracelets (green and bubblegum), and strappy Dsquared2 Wedgie Sandals in high-gloss magenta. It’s not a safe look. But it doesn’t feel loud either — which makes it unpredictable, in a good way. One SEO mention fulfilled here: celebrity style .
There’s a looseness in how Zara is presenting herself lately — stylistically unafraid but not scrambling for virality. This wasn’t a costume or Instagram bait; it felt like a real performance look that could translate to a late-stage set at a music festival, right between the strobes and an encore. In the world of onstage fashion , where bold can quickly become clumsy, this energy felt calibrated.
The mini dress makes sense in the context of Mannatt Gupta’s design vocabulary: sleek tailoring, body-conscious silhouettes, a refusal to over-accessorize. Where some would’ve layered or glammed, Larsson let the texture do the talking. The taped construction adds a subtle futurism , reminiscent of Hervé Léger’s bandage dress era — but modernized and stripped of its early-2000s excess. As for the Dsquared2 heels — they’re a smart clash. Not dainty, not demure. They bring a bold statement that pushes the look toward clubland instead of clean virgo minimalism. The clash is the point.
This outfit doesn’t just sit on the body — it insists on movement, like it was designed to bounce with bass.
Shay Mitchell wore a red striped Supreme x Nike rugby and pleated mini skirt in a playful coffee-run shoot shared January 22, 2026.
Inside what looks like a backroom, surrounded by cardboard boxes and a folding chair, Shay Mitchell pulled off the rare photoshoot that feels like pure movement. Holding a cup of Philz, mid-stir, and looking like she just paused between errands—but every piece on her is playing at another frequency.
She wore an oversized, Supreme x Nike rugby top , striped in bold red and white, the kind of vintage athletic motif that’s crept back into closets through pure nostalgia. The collar’s slightly undone. The cuffs bounce over her wrists. Pulled just loosely enough to suggest she’d rather be comfortable than curated.
Below that: a crisp, Helsa poplin bubble skirt , pleated and puffed wide, a little too short to be prep-approved. Think gym-class meet-cute meets runway ratio. It gives movement and nothing else — pleats flying even when still.
The accessories leaned into that perfect contradiction: Bottega Veneta Cone wraparound sunglasses , sharp like math. A structured Hermès Birkin bag in chocolate leather , big and bossy as ever, grounding the casualness with status. And on her feet, The Row Novus loafers — black, square toe, styled with white slouchy socks. Like she borrowed her grandfather’s shoes for a varsity match and made them look brand-new again.
Hair’s up. Slightly undone bun. Strands tucked and messy in carefully controlled curl. Under-eye liner sharp. No grin. No staged energy.
It’s schoolgirl-core, flipped luxury, brewed with espresso and spit out smoother than you’d expect.
