Maggie Lindemann wore a lace-trimmed white tunic with black leggings to the Spotify Best New Artist 2026 party in West Hollywood.
At the 2026 Spotify Best New Artist celebration on January 29 at The Lot at Formosa in West Hollywood, Maggie Lindemann delivered a look that bent both genre and gender expectations — sweet on the surface, subversive underneath. She wore a strapless, white tunic mini edged with lace trim and gathered tiers, toddler dress meets tour bus . A piece that might’ve felt too precious had it not been thoroughly counterpunched by what followed: black leggings with stirrup-style boots , not ballet-soft flats or cutesy Mary Janes.
Her ankle-hugging stiletto boots — matte and sharp — ground the entire outfit down into something heavier. The kind of silhouette that lingers longer than expected, like an echo from mid-2000s punk-pop infused with couture clarity. She doubled down on the contrast with stacked black resin bangles , a snake’s worth of them up both arms, and gothic cross necklaces layered haphazardly like dog tags.
It’s a studied mess — purposeful in its imbalance. Hair worn bone-straight and parted without emotion. Nails long, square-tipped, black like they meant it (not just themed). The total impression? Not a “look” in the usual sense, but a visual flex on how layered persona dressing has become in front row fashion and event appearances : not just clothes, but references worn loud.
It’s grunge if grunge carried a lipstick case — and knew how to weaponize contrast just enough to keep you guessing.
Demi Lovato wore layered black leather with smokey glam makeup at Charli XCX’s afterparty on January 29, 2026.
Late-night Los Angeles. A blacked-out car. And Demi Lovato , partially shielded behind dark oval sunglasses, avoids flashbulbs while leaving Charli XCX’s The Moment premiere afterparty on January 29, 2026. The image captured may be cropped, but what’s visible offers a clear window into her intent: texture, tension, and control . She wears a black leather outer layer—possibly a jacket—with softened structure that contrasts her slick glamour make-up and long, inky black waves. A hint of sheer visible beneath suggests layering, while her etched rings, statement diamonds, and tattoo-clad fingers catch flashes of light. This is not red carpet presentation. This is post-event cool handled with precision restraint.
Hilary Duff wore a white T-shirt and wide-leg jeans with a Gucci Giglio tote while out shopping in Los Angeles in January 2026.
Hilary Duff kept it casual but deliberate during a family outing stop at Ralphs in Los Angeles on January 30, 2026 , selecting a look that honored both comfort and structure. Her outfit reads like a uniform for modern celebrity errands: a fitted white crewneck T-shirt , tucked slightly into a pair of washed blue wide-leg jeans with a slouchy high rise. Nothing flashy — but noticeably tailored in its ease.
The jeans fall long and loose, pooling with just enough drag to show off her barely-there black flip-flop sandals — more grounding than accessory. Over her shoulder: the unmistakably monogrammed Gucci Giglio Large Tote Bag , identifiable by its tan GG canvas, bold stripes, and wide carry-all shape. No zipper, just drop-and-go utility. She wore it like someone who knows precisely where each snack, receipt, and preschool craft is buried inside.
Tiny details finished the look: narrow oval sunglasses with copper-tinted lenses, a cuffed ear stack of small hoops , and a muted pink mani. Her hair, undone but not messy, was pulled loosely into a middle-parted bun with a few strands falling along the face — not styled , exactly, but processed into its own kind of mood.
There’s nothing performative here. No unnecessary trend-hopping. It’s measured simplicity, part of a larger shift in celebrity street style : the idea that a quiet outfit can still say, “yes, it’s me,” without shouting it aloud.
Sometimes the sharpest look is the one that forgets to try.
