Maggie Lindemann wore a sheer striped column dress with strappy sandals to the 2026 Billboard Power 100 event in Los Angeles.
At the 2026 Billboard Power 100 event in Los Angeles, Maggie Lindemann stepped onto the black carpet in something that felt more quiet confrontation than crowd-pleaser. Her choice? A fully sheer black-and-white striped gown , fitted and floor-length, built from a see-through knit structure that clung just enough. No lining, no drama beneath — just visible straps and skin, framed like a scanline from a glitchy VHS tape. It was bold, but the delivery stayed calm.
The silhouette was simple: long sleeves, deep-V neckline, and a straight hem that brushed the tops of her feet. Fine horizontal stripes alternated between slightly reflective white and inky black, banding across her shoulders down through the ankles like a soft armor grid. Underneath, visible black undergarments cut sharply through the illusion — an intentional break in the rhythm. She wore a delicate silver cross necklace , subtle enough to get lost unless you looked twice, and let it fall precisely into that deep neckline like it belonged in that exact spot.
Margot Robbie wore a red Roberto Cavalli Fall 2004 dress and gold sandals to the Wuthering Heights afterparty in Los Angeles.
At the Wuthering Heights premiere afterparty in Los Angeles, Margot Robbie looked like she’d stepped out of a 19th-century oil painting, then torn the canvas on her way to the bar. The dress — unmistakably vintage Roberto Cavalli Fall 2004 — was all tattered romance and raw edges. Shimmering red base, tangled with ornate gold embroidery. Sleeves barely there. The neckline, open-hearted. The hem, chaotic. Nothing symmetrical, nothing safe.
You can almost feel the scratch of the fabric — old-world jacquard turned rebellious in its new context. It’s dramatic, yes. But also weirdly… fun. There’s movement in the piece. Ghostly ruffles. Fractured florals. That kind of texture that catches amber light and holds it.
In her hand, a tiny Manolo Blahnik fabric-embroidered handle bag , the kind of micro handbag that feels more like an heirloom than an accessory. Her Fred Leighton ruby and diamond ring — visible, barely — flashed once during a cocktail toast. Jewelry wasn’t the focus, but it didn’t need to be. Her Roberto Cavalli gold sandals , delicate with jeweled buckles, did enough work at floor level.
Her hair was twisted low, loose. One lock escaping across the cheek, possibly on purpose, possibly not. The face? Clean. A bit flushed. She looked like she was already mid-story when the photo was taken, mid-laugh. No posing. No pretense.
Charli XCX wore a custom Gaultier corset with leather shorts and slingback pumps at The Moment premiere in Los Angeles, 2026.
At the Fine Arts Theatre in Beverly Hills for the Los Angeles premiere of A24’s The Moment , Charli XCX showed up in a look that didn’t ask for attention — it claimed space like a foghorn. Her outfit? Inventive, restrictive, almost wrong — but not quite. A custom piece from Jean Paul Gaultier x Ludovic de Saint Sernin , the look layered metal-hard femininity with a kind of leather-laced edge no one else on that red carpet could’ve gotten away with.
She wore a vintage Alexander McQueen leather bra , domed and sculptural, sitting just over a steel-blue corset laced tight like ribs. The waist cinch was surgical. Below, R and M Leather Tammy micro shorts , barely visible, cropped higher than the hem of the corset itself. Her legs? Encased in sheer black tights, stamped on the thigh in tiny black serif: THE MOMENT — the name of the film, yes, but also the vibe.
Footwear stayed clean: the sharply pointed Saint Laurent Apolline slingback pumps in patent leather , glossy and bluntly elegant. A massive cream-colored faux-fur stole trailed from her hand, ridiculous in volume, practically screaming coat-check drama. But she didn’t wear it — she carried it like a curtain pulled down after a performance. Makeup was muted. Hair worn down, pitch black, unbrushed in the front — like the ’90s walked through a wind tunnel and landed here.
And then there’s the Claude Morady solitaire engagement ring on her left hand. Delicate amidst all this density. A tiny pause in the noise.
