Maggie Lindemann champions an effortless grunge-glam look, embodying the anti-fashion attitude of the late 90s with a modern, rebellious edge (—a masterclass in high-low dressing for a New York Fashion Week event).
Lindemann’s aesthetic is always steeped in rock-and-roll heritage, but for the CLD NYFW Kickoff Event, she brought an unexpectedly chic polish to her signature style. The look is a perfect study in textural opposition : the delicate sensuality of a black satin or silk camisole paired with the grounded casualness of vintage-wash denim. The camisole, featuring thin spaghetti straps and a soft V-neckline, offers a subtle slip-dress feel, a foundational piece of ’90s evening wear that has been thoroughly remixed for the current moment.
The denim, a mid-to-light wash with a subtle flare or bootcut at the hem, is worn low on the hip, cinched with a simple black belt—a silhouette that screams authentic Y2K sensibility . The fit is relaxed, allowing the silk top to drape and flow, an intentional contrast to the typical hyper-structured evening attire. It’s an ensemble that is both accessible and deeply stylish.
The accessories solidify her fashion narrative. Lindemann layers multiple silver bracelets and cuffs, complementing the graphic black work of her arm tattoos, creating a unified, darkly romantic tableau. The most striking element, however, is the jewelry : a heavy silver chain necklace with a prominent pendant that rests on the skin just above the camisole’s neckline, channeling a clear early 2000s mood. Her look is completed by a small, structured shoulder bag—the quintessential baguette silhouette —and pointed-toe black boots or shoes that subtly peek out from beneath the long hem of the jeans.
After all, what is fashion week if not the opportunity to prove that you can take the most basic pieces—a silk cami and jeans—and elevate them to a statement? She achieves this effortlessly. Catch more defining moments from the hottest popular celebrities this season.
Maggie Lindemann champions an utterly dedicated neo-Victorian Goth look, pairing a sheer corset with layers of lace and tulle (—a perfectly themed, theatrical red carpet moment for a horror film premiere).
For the world premiere of “The Strangers: Chapter 2,” Maggie Lindemann didn’t just dress up; she delivered a performance. This look is a complex tapestry of black textures and deliberate exposure, embracing a dark, romantic aesthetic that fully commits to the atmosphere of the event. It is a striking interpretation of modern gothic romance, filtered through a rebellious, punk lens.
The foundation of the look is a strapless corseted mini-dress defined by its intricate layering. The bodice features sheer black mesh or tulle paneling, hinting at the traditional structure of a corset, complemented by dark boning details that provide a striking, architectural frame. This leads into a dramatic skirt composed of tiered lace, ruffles, and wispy tulle, cut to reveal her legs and create an almost shredded, deconstructed effect. The hemline is purposely uneven, culminating in long, ragged pieces of black lace that fall below the short skirt, enhancing the visual drama.
Accessories are critical to this narrative. Lindemann elevates the look with sheer, ornamental lace fingerless opera gloves that reach past the elbows, an unmistakable nod to Victorian-era mourning wear or a darker form of bridal couture. Below the waist, the effect continues with intricate sheer black thigh-high stockings or patterned tights, which feature an all-over bow or floral pattern and are cinched with dark garters. Her footwear consists of sleek, strappy black high-heeled sandals that seamlessly blend into the texture of the hosiery.
Her hair and makeup complete the transformation. The long, straight black hair is simple and stark, acting as a dramatic curtain for her striking facial features. The makeup is focused and intense: a crisp black eyeliner wing, a subtly sculpted contour, and a neutral lip color that maintains focus on her expressive eyes. Lindemann’s look successfully borrows from the dark, decadent romance of Gothic Lolita and combines it with the edgy, exposed structure of modern luxury lingerie.
Is it high fashion, or is it pure costume? When done this meticulously, the line is wonderfully blurred. This is fashion as theatrical storytelling, perfectly tailored for the occasion. For more looks that master the art of the red carpet , click through our archives.
Auli’i Cravalho ignites a subtle cultural shift—champions the textured little black dress from the shoulders down (—a stunning moment of sophisticated shadow and light on the New York stage).
The dress demands a closer look. Attending the opening night of “Art” on Broadway, Auli’i Cravalho didn’t choose typical red carpet shimmer, but rather embodied an elevated, architectural subtlety. Her choice—a knee-length, figure-hugging sheath—was a masterclass in controlled glamour, moving away from sheer bombast and into the realm of tactile elegance.
The dress itself is the story. Suspended by the thinnest spaghetti straps, the bodice features a gentle sweetheart neckline that provides classic structure. The fabric is a dense, compelling brocade or heavily embroidered textile, its pattern a monochrome dance of black and what appears to be silver or pale gray thread. This visual tension creates an optical shadow effect , giving the piece a rich, almost sculptural dimensionality that photographs exquisitely under the spotlight. It’s a dress that doesn’t rely on sequins, but on the quiet authority of its texture.
Styling the look, Cravalho opts for minimalist sophistication. The only visible jewelry is a delicate gold chain and simple earrings, allowing the dress’s intricate pattern to take center stage—a wise move that maintains the look’s sleek column. On her feet, simple black ankle-strap sandals provide a clean, modern anchor, elongating the leg without distracting from the main event.
After all, isn’t that the most potent form of power dressing—to be utterly captivating by barely raising your voice? The answer, as evidenced here, is a resounding yes . You can find more influential looks like this in our definitive celebrity style list.
