Maggie Lindemann wore a burgundy leather harness-style corset with micro shorts for the Principle Magazine photoshoot in January 2026.
For the Principle Magazine Photoshoot , January 2026, Maggie Lindemann didn’t just dress for the camera — she challenged it. The result: a leather-drenched silhouette stuck somewhere between fetishwear and fine art.
At first glance, it’s sculptural. Then it gets severe. The bodice is a deep wine-burgundy corset, molded like armor. Boned, paneled, and punctured by a straight row of miniature metal hooks — dozens of them — cinching the front like a Victorian straightjacket sliced into modern fragments. The cut is architectural: sweetheart neckline, halter-style straps, no softness, no room for slouch. It doesn’t hug the body. It harnesses it.
She wore two necklaces — pendants, bold, dark. Gothic in mood, witchy in scale. Her hands were heavy with silver, one flashed ring stacking into the other. Tattoos spilled out of the frame — linework, ink, iconography — like graffiti the studio couldn’t wipe away. Her hair: center-parted and pulled tight behind her ears, nothing fussy, just a dark slicked frame for sleep-smudged liner and muted plum lip.
It’s less about beauty. More about control.
Jennie Kim wore a rhinestone Blackpink hoodie and matching velour sweatpants during her Deadline World Tour Tokyo performance in January 2026.
On Day 2 of the Deadline World Tour in Tokyo, January 2026, Jennie Kim stepped onstage dressed like she already knew the internet would make this a full Tumblr-core moment by morning.
Her look? Full velour, black-on-black, rhinestone heat. The Blackpink Velour Zip-Up Hoodie clung cropped to just above the hip. Long-sleeved, hooded, cozy but not passive — with “Blackpink” spelled out in glittering cursive across the chest like an early-2000s fever dream. Below: Blackpink Velour Sweatpants , slouchy at the leg but cut sharply at the waist, worn slightly low to flash a clean midriff line. The matching rhinestone branding repeats calmly on the left thigh.
It’s not high fashion. It’s not trying to be. That’s what makes it stick.
What pulls the whole thing into stage-ready territory is how Jennie uses small details to shift the tone. Jet-black, wraparound sunglasses — cyber more than Y2K — completely block the expression under the stage lights, except for that centre-stage grin. No earrings. Hair slicked back into a tight mid-parted ponytail. Precision. Snatched but chill.
The mic? Pale pink. A killshot of softness against the blackout palette. Perfectly matched to the mic her bandmates held — but hers somehow felt like the accessory.
Maggie Lindemann wore a deconstructed black top, leather shorts, and lace-up boots for her Principle Magazine January 2026 photoshoot.
In the Principle Magazine photoshoot, January 2026 , Maggie Lindemann doesn’t pose — she burns through the frame. The backdrop is dripped, storm-lit, like a wet cave or a painted riot. Her body? Still. Her gaze? Unbothered. It’s not softness she’s selling.
Let’s break this down. She wears what could loosely be called a bodysuit, but there’s barely a “suit” to it. What dominates isn’t fabric, it’s shape. A deconstructed black halter bra, deep plunge, open sides — strands of frayed tulle or something like it, wrapped and webbed down her chest and arms like wearable rot. It cuts with purpose, like she’s dressing inside-out. Below, ultra-glossy black micro shorts , almost lacquered, baiting the flash with their shine.
The boots deserve their own headline. Knee-high, fully laced front, open-toe with heel. Black again, but not quiet. Built to cut. They flare slightly at the ankle like armor folding out in defiance. They’re not shoes — they’re punctuation marks. And they’re loud.
Jewelry? All stacked on one wrist — a heavy watch, rings that look like dirty diamonds, maybe thrifted. Her other hand? Bare save for ink. Those little arm tattoos and the one just above her knee anchor the chaos in realism. Hair left long, pin-straight, parted mid like a blade. Dark, glossy, witchy. Her mouth nearly blank, her eyes lined like she almost cried in the bathroom, wiped it off, and walked back out anyway.
