Maggie Rogers brought asymmetry and ease to the Khaite front row—her white dress a quiet rebellion against the season’s structured excess (and we’re here for it).
There’s something about Maggie Rogers that makes fashion feel like a conversation, not a performance. At the Khaite fashion show during New York Fashion Week on September 13, 2025, held at The Shed, Rogers didn’t just attend—she embodied the brand’s ethos: modern, intuitive, and quietly subversive.
Her look was a study in asymmetry and softness. The white dress she wore featured a plunging V-neckline and an uneven hem that danced just above the knee on one side and dipped lower on the other. It wasn’t trying to be architectural—it was fluid, like a sketch brought to life. The fabric appeared lightweight, possibly silk or a crepe blend, catching the late afternoon light with a subtle sheen that felt more poetic than polished.
Accessories were minimal but intentional. A beige clutch—structured, understated, and likely designer—added a neutral counterpoint to the monochrome palette. Her black strappy heels, with delicate ankle ties and a sharp toe, grounded the look with a touch of edge. No visible jewelry, no over-styling. Just clarity.
Anna Sawai traded runway theatrics for candlelit charm—her floral dress and textured top a quiet nod to intimacy, warmth, and the new language of downtown elegance.
In a season where fashion week often feels like a parade of excess, Anna Sawai’s appearance at J.Crew’s housewarming party at 190 Bowery on September 9, 2025, was a welcome shift in tone. No flashbulbs, no spectacle—just a dimly lit table, flickering candles, and a look that whispered rather than shouted.
Seated in a warmly styled dining room with velvet curtains and reflective windows, Sawai embraced the mood with a dark floral-patterned dress that felt equal parts romantic and grounded. The print—subtle, moody, and seasonally appropriate—played beautifully against the soft lighting, creating a painterly effect that echoed Dutch still lifes more than street-style snaps.
Next to her, a companion in a light-colored, textured top added contrast and balance to the frame, but Sawai’s look held its own. The silhouette was classic—fitted through the bodice, with a gentle flare that allowed the fabric to move naturally. It wasn’t trying to be avant-garde. It was trying to be present.
Anna Sawai’s crisp white dress at Dior’s Manhattan relaunch was a study in quiet power—clean lines, sharp heels, and a handbag that whispered legacy.
There’s a kind of fashion that doesn’t beg for attention—it earns it. At Dior’s redesigned New York flagship store unveiling on September 10, 2025, Anna Sawai arrived not as a spectacle, but as a statement. Amid the lush artificial greenery and ambient lighting of the Fashion Week soirée, her look was a masterclass in modern restraint.
The dress: sleeveless, high-necked, and cut in a pristine white fabric that held its shape without stiffness. It wasn’t trying to be ethereal or bridal—it was architectural. The silhouette skimmed her frame with precision, offering a subtle nod to 1960s couture minimalism, but with the kind of contemporary tailoring that feels unmistakably 2025.
Accessories were chosen with surgical intent. A black quilted handbag—structured, compact, and adorned with metallic charms—added texture and a touch of heritage. It was likely Dior, though unconfirmed at press time. Her black pointed-toe heels were classic and severe, elongating the look and anchoring it in urban sophistication.
