Maisie Peters wore a white shirt, black tie, and high-waisted shorts in a behind-the-scenes February 2026 i-D Magazine shoot.
There’s something theatrical and blunt about this — and I mean that in the best way. Maisie Peters was captured in a candid BTS frame during the i-D Magazine/My Regards shoot styled by Sophie Scott , and it’s giving art student on espresso and post-punk vinyl.
She’s front and centered in a power pose. Arms crossed. Eyes dead ahead. In a cropped white button-up , tensioned neatly at the collar with a black skinny tie . It’s uniform-meets-underdog. Masculine? Yes. But almost defiant in how styled it isn’t. Below: high-waisted tailored black shorts , aggressively hemmed to thigh level. Paired with sheer black tights and black stilettos, which take it dangerously close to cabaret energy… but not quite.
The hair is platinum and precise. Bobbed with a side part and flipped ends, sitcom-ish but cool. The setting — all warm light and creaky floorboards — makes the crisp whites sharper, the tie suddenly more dramatic. That contrast works. Like a school play that ended up looking better than the original stage version.
If you ask me, this look lands because it feels as staged as it is lived-in. Which is the whole point of a good fashion editorial — characters first, meaning in the styling second.
Emma Roberts wore a black turtleneck top and white spotted maxi skirt at the 2026 Fanatics Super Bowl Party in San Francisco.
There’s something undeniably sharp about going full contrast — and Emma Roberts did it with confidence at the 2026 Fanatics Super Bowl Party at Pier 48 in San Francisco .
She wore a black ribbed turtleneck top , the kind that fits clean and snug without screaming for attention — just enough texture to catch the light. It tucked seamlessly into a white ankle-length skirt patterned in black abstract spots . Somewhere between Dalmatians and ink blot tests, but make it tailored. No frills, no volume — just sleek and printed.
Here’s the thing: the real winner was the belt. A black structured belt with a gold buckle , breaking up the halves and giving the whole thing actual shape. Without it, this could’ve veered into “souvenir scarf draped over basics.” With it, it felt structured and precise.
Her black pointed heels were just visible beneath the skirt hem — enough to sharpen the silhouette but not beg for credit. The sunglasses helped too . A nod to old-school movie star “don’t look at me” energy. Then there’s the soft leather clutch folded neatly under her arm, not adding weight, just grounding the look.
If you ask me, this is a celebrity event look that balances restraint and confidence. It doesn’t shout. It doesn’t need to.
Everything animal print is cyclical, but Emma’s version — graphic, grounded, minimalist — feels especially smart for a media event moment like this.
Would this look hit harder with a red lip, or do you like the soft-glam restraint?
Michelle Randolph wore a tan mini dress and oversized suede jacket in a February 2026 studio portrait for SCAD TVfest.
The best editorial looks are the ones that sit in that odd space between styled and stolen-from-reality — and Michelle Randolph nailed that contradiction in this SCAD TVfest portrait shot by Robby Klein , February 2026.
The bones of the outfit are carried over from her red carpet moment — that same tan mini dress , sleeveless with a square neckline and that jeweled grid detail up top. But in this photoshoot , the energy changes. Why? The jacket does all the work. A massive, oversized olive-brown suede coat with contrasting black leather patches on the shoulders and pockets. It swallows her frame just a bit — on purpose — and the sleeves hang lower than they need to, which kind of makes it better.
Behind the softness is structure. The sharp blue shirt collar still peeks out, anchoring the look in polish. And the pointed black heels return, this time with visible patent leather shine and double strap bows that feel too perfect for something meant to be casual.
I think what works is that nothing feels over-modeled — she leans on a silver column like she’s waiting for a text, not a camera click. That’s the whole point of a good fashion photoshoot — styled, yes, but without trying too hard.
Oversized outerwear and tailored minis are having a moment. This pairing pushes that combo into polished editorial territory without killing its charm
Would you rather style this dress layered under a jacket or let it stand on its own?
