María Pedraza stars in Harper’s Bazaar España’s December 2025 issue, photographed by Álvaro Gracia in a multi-look editorial that blends sculptural fashion with surreal poise.
For the December 2025 issue of Harper’s Bazaar España , María Pedraza delivers a multi-look editorial moment that fuses celebrity photoshoot-coded sculptural elegance with fashion spread-coded surreal minimalism . Shot by Álvaro Gracia , the editorial unfolds across a series of visually arresting compositions, each reframing Pedraza’s presence through posture, palette, and avant-garde styling.
The cover image presents Pedraza in a floor-length sleeveless white garment , paired with red tights and pale yellow heels , seated in a symmetrical pose with arms raised and legs extended. The composition evokes studio portrait-coded architectural clarity , where fashion becomes a study in form and tension.
In another look, Pedraza wears a black off-the-shoulder ensemble with sheer tights , seated against a maroon backdrop. Her pose — composed and introspective — reads as beauty shot-coded tonal restraint , where elegance is distilled into gesture and gaze.
A third image captures Pedraza in a black outfit with red fishnet-patterned tights , her leg raised and foot resting on her shoulder, hand framing her eye. The pose is bold, contorted, and visually magnetic, channeling styled shoot-coded kinetic surrealism , where fashion becomes performance.
The final look features Pedraza in a mirror-adorned dress , arms crossed over her chest in a black-and-white composition. The compact mirrors and makeup cases transform the garment into a high fashion-coded reflective manifesto , where beauty and identity are refracted through editorial symbolism.
Emma Roberts stars in Harper’s Bazaar España’s December 2025 issue, showcasing a series of high-fashion looks that fuse texture, posture, and editorial clarity.
For the December 2025 issue of Harper’s Bazaar España , Emma Roberts delivers a multi-look editorial moment that fuses celebrity photoshoot-coded tonal richness with fashion spread-coded sculptural elegance . Across several compositions, Roberts explores the tension between softness and structure, minimalism and maximalism, all reframed through studio portrait-coded editorial fluency .
In one cover image, Roberts wears a black beret and a multicolored tassel-adorned garment , styled against a neutral brown backdrop. The tassels — in shades of green, gold, lavender, and peach — evoke beauty shot-coded kinetic texture , where movement is implied through styling alone. Her red hair and direct gaze anchor the composition in high fashion-coded tonal contrast , balancing vibrancy with restraint.
Another look features Roberts seated on the floor in a patterned faux fur coat and sheer black tights , framed by a neutral gradient and bold pink typography. The pose — relaxed yet composed — reads as styled shoot-coded cinematic softness , where luxury is expressed through posture and palette.
A third image presents Roberts in a black off-the-shoulder outfit , paired with sheer tights and multiple rings, set against a maroon backdrop. The composition leans into studio portrait-coded emotional clarity , where elegance is distilled into gesture and gaze.
In a final, more abstract pose, Roberts wears red fishnet-patterned tights and black ballet-style shoes , her leg raised and foot resting on her shoulder, hand framing her eye. The visual tension and contorted pose channel fashion photoshoot-coded surrealism , where the body becomes a sculptural element in the editorial narrative.
Daisy Ridley attended the “Train Dreams” lunch reception at Soho House in London, showcasing understated elegance across multiple off-duty looks.
At the “Train Dreams” lunch reception held at Soho House in London on November 19, 2025 , Daisy Ridley delivered a moment of celebrity photoshoot-coded tonal restraint reframed as beauty shot-coded social polish . Captured in a warmly lit interior with wood floors and green leather accents, Ridley’s presence was marked by a series of off-duty looks that fused fashion spread-coded casual clarity with styled shoot-coded editorial realism .
In one composition, Ridley leans against a green armchair wearing a black long-sleeve top , black jeans , and black shoes , accessorized with a silver chain necklace . The monochrome palette and relaxed posture evoke studio portrait-coded tonal discipline , where simplicity becomes a statement. The setting — a cozy, stylish venue with guests mingling and trays of tea being served — amplifies the look’s behind the scenes-coded emotional warmth , situating Ridley within a narrative of quiet confidence and cinematic ease.
