In a crimson plunge and braided crown, Mara Brock Akil turned the AAFCA red carpet into a masterclass in modern goddess dressing—layered, luminous, and unmistakably hers.

There’s red carpet dressing—and then there’s red carpet storytelling. Mara Brock Akil, the powerhouse behind Girlfriends and Being Mary Jane , arrived at the AAFCA TV Honors not just dressed, but declared . Her look? A deep red, floor-grazing gown with a plunging neckline and sleeves that billowed like drama itself. It wasn’t just fashion—it was narrative.

The dress, rich in tone and movement, evoked a kind of regal ease. The fabric—likely silk chiffon or a similar lightweight weave—caught the light with every step, creating a ripple effect that felt almost cinematic. The cut was daring but balanced: a plunging neckline softened by long sleeves and a fluid silhouette that skimmed rather than clung. It’s the kind of gown that doesn’t scream for attention—it earns it.

In an era where celebrity style often leans toward hyper-curated minimalism, Akil’s look felt refreshingly maximalist in spirit—rich in color, texture, and cultural resonance. The braids, the jewelry, the unapologetic neckline—it all spoke to a lineage of Black beauty and storytelling that refuses to be flattened or simplified.

With a soft beige gown and voluminous curls, Ryan Michelle Bathe brought a whisper of vintage romance to the AAFCA red carpet—equal parts ethereal and intentional.

There’s a particular kind of red carpet magic that doesn’t rely on sequins or shock value—it floats in on ruffles and lands with a smile. Ryan Michelle Bathe, known for her grounded performances and quietly commanding presence, arrived at the AAFCA TV Honors in a look that felt like a love letter to softness. No armor, no edge—just grace.

The gown, a light beige confection with cascading ruffles and a plunging neckline, played with movement and texture in all the right ways. The fabric—likely silk georgette or a featherweight organza—offered a gentle drape that caught the air with every step. The silhouette was fluid, not fussy, with ruffle detailing that added dimension without overwhelming the frame. It was romantic, yes—but not naive.

Bathe kept the accessories minimal, letting the gown speak for itself. A pair of understated earrings and a barely-there bracelet added just enough sparkle to catch the flashbulbs. Her hair—styled in voluminous, natural curls—framed her face with a kind of joyful defiance, refusing to be tamed. The makeup was warm and luminous, with a soft glow that echoed the gown’s palette. Together, it was a look that felt cohesive, lived-in, and deeply personal.

In a season dominated by metallics and hyper-structured silhouettes, Bathe’s choice felt like a quiet rebellion. It nodded to the softness of 1930s Hollywood, the romance of early couture, and the modern movement toward authenticity in celebrity fashion . It wasn’t about trend-chasing—it was about timelessness.

Ayo Davis brought a flash of old-Hollywood warmth to the 7th Annual AAFCA TV Honors—her sunset-red lip and luminous waves channeling a kind of quiet star power.

There’s something about a confident smile that outshines sequins—and Ayo Davis knows it. At the 2025 AAFCA TV Honors, Davis didn’t need a gown dripping in embellishments to command attention. Instead, she leaned into a timeless kind of glamour: soft waves, a bold lip, and a look that whispered rather than shouted.