Maren Morris performed at Dick Clark’s New Year’s Rockin’ Eve in New York City on December 31, 2025, wearing a bold stage look.
Maren Morris on stage. White coat long, gloves glittering, microphone steady. Band behind her, drummer sharp, bassist in white, beanie pulled low.
Backdrop stacked, speaker visuals glowing, “SEPHORA” sign lit. Confetti scattered, audience waving props, hats, gloves. Energy loud, festive, almost chaotic.
It’s blunt. Coat heavy, gloves bright, silhouette hidden. Together, they carry presence. A look that feels like winter practicality stitched with performance shine.
Julianne Hough performed at Dick Clark’s New Year’s Rockin’ Eve in New York City on December 31, 2025, wearing a bold stage look.
Julianne Hough turned sideways. Red dress open at the back, fabric sharp, color loud. Fur coat heavy, brown with diagonal stripes, draped full-length.
Hair short, blonde, styled neat. Earrings large, catching light. Pose deliberate, shoulder glance back, almost rehearsed.
Background soft, dim, light falling in patches. No crowd visible, just atmosphere muted, frame focused on her.
It’s blunt. Dress bold, coat weighty, earrings polished. Together, they carry presence. A look that feels like performance, not routine.
Mariah Carey performed at Dick Clark’s New Year’s Rockin’ Eve in New York City on December 31, 2025, wearing two striking stage outfits.
Mariah Carey center stage. Pink-and-silver dress sharp, glitter catching every light. Boots silver, thigh-high, bold. Dancers flanking her, jackets black, glittering, backdrop stamped with a giant “M.” Movement loud, rhythm steady.
Then a shift. Blue gown strapless, fitted, shimmering. Simpler, but heavier. Patterns behind her — red, yellow, white — abstract, almost chaotic. Audience silhouettes raised, phones glowing.
It’s uneven. One outfit playful, almost bombastic. The other sleek, restrained, leaning into glamour. Together, they carry range. A look that feels like duality, not perfection.
There’s honesty here. Clothes chosen for stage, for light, for impact. A frame caught between glitter excess and gown restraint.
Not just a New Year’s Eve performance. More like fragments stitched together — boots against backdrop, gown against glow, presence against countdown noise.
