Margaret Qualley leaned into quiet luxury—Chanel camellias, grosgrain Mary Janes, and a black-on-black palette—at Netflix’s “Happy Gilmore 2” premiere in New York.
Margaret Qualley doesn’t shout on the carpet—she murmurs, with intention. At the Happy Gilmore 2 New York premiere on July 21, 2025, held at Jazz at Lincoln Center, the actress arrived in a look that whispered Chanel from every angle. No gimmicks, no theatrics—just a masterclass in modern restraint.
Esther McGregor, ever the captivating muse, delivers an editorial that marries academic charm with effortless cool, proving intellect and style are, in fact, always in vogue (even with a dash of disarming vulnerability).
There’s a quiet magnetism in the air as Esther McGregor steps into the pages of Polyester Magazine’s June 2025 issue, captured through Lewis Vorn’s perceptive lens. The shoot eschews overt drama for something more nuanced: a thoughtful exploration of youth, intellect, and an understated rebellion. At its heart lies a deceptively simple yellow mini-dress, its bright hue and white trim — a subtle nod to classic athletic or collegiate wear — becoming a canvas for McGregor’s varied expressions and moods.
In a flash of teen-pop bravado, Britney Spears warmed up the Metropolitan Opera House stage—brick wall, red tee, and all—for her breakout VMA moment.
Before the Moonmen were handed out and the pop spectacle unfolded live on September 9, 1999, Britney Spears was already commanding the stage—well, the rehearsal space—at the Metropolitan Opera House in Lincoln Center, New York City. The image, dated September 8, 1999, captures Spears mid-pose against a brick wall backdrop, dressed in a fitted red tee, dark jeans, and gray sneakers. It’s not the glitz of the main show, but there’s something electric in the simplicity.
