Margot Robbie wore a red Roberto Cavalli Fall 2004 dress and gold sandals to the Wuthering Heights afterparty in Los Angeles.
At the Wuthering Heights premiere afterparty in Los Angeles, Margot Robbie looked like she’d stepped out of a 19th-century oil painting, then torn the canvas on her way to the bar. The dress — unmistakably vintage Roberto Cavalli Fall 2004 — was all tattered romance and raw edges. Shimmering red base, tangled with ornate gold embroidery. Sleeves barely there. The neckline, open-hearted. The hem, chaotic. Nothing symmetrical, nothing safe.
You can almost feel the scratch of the fabric — old-world jacquard turned rebellious in its new context. It’s dramatic, yes. But also weirdly… fun. There’s movement in the piece. Ghostly ruffles. Fractured florals. That kind of texture that catches amber light and holds it.
In her hand, a tiny Manolo Blahnik fabric-embroidered handle bag , the kind of micro handbag that feels more like an heirloom than an accessory. Her Fred Leighton ruby and diamond ring — visible, barely — flashed once during a cocktail toast. Jewelry wasn’t the focus, but it didn’t need to be. Her Roberto Cavalli gold sandals , delicate with jeweled buckles, did enough work at floor level.
Her hair was twisted low, loose. One lock escaping across the cheek, possibly on purpose, possibly not. The face? Clean. A bit flushed. She looked like she was already mid-story when the photo was taken, mid-laugh. No posing. No pretense.
Dixie D’Amelio wore floral tights, satin mules, and a tapestry bag in a textured studio look posted to Instagram on January 27, 2026.
From inside the open door of a black SUV — not quite stepping out, not quite staying in — Dixie D’Amelio offered a quiet, off-guard moment that doubled as a perfectly framed photoshoot . It wasn’t red carpet. It wasn’t runway. But every piece on her was working like it had been styled for both. Blue satin blouse, vintage-seeming, with gold embroidered brooch-like details shining just under the collarbones. The sleeves were long, puffed slightly, cuffed with silver trim stitched across like piping on old dinner jackets.
Below that: Valentino floral tights , delicately patterned and semi-sheer, a whisper of botanic lace climbing up the leg. The tone-on-tone white against her skin gave the look a softness that undercut the drama of the blouse — yet held its own just fine. Underneath peeks out a pair of white eyelet shorts. Not fussy. Just barely there.
Her Valentino Yolande satin mules , sharp and sculpted with exaggerated black bows and pencil-thin stiletto heels, were the only piece suggesting she had somewhere formal to be. But the real punctuation was her arm candy: a Valentino Devain small shoulder bag , in Voyage Imaginaire jacquard fabric — lush, tapestry-like, almost antique on first glance. The florals pulled every texture together like a stitched-up love note.
No heavy makeup. Straight fall of dusty-auburn hair. Tiny neon green manicure, deliberate yet weirdly charming. This shot didn’t need airbrushing — it’s already the cover of her own in-between moment.
Maggie Lindemann wore a sheer striped column dress with strappy sandals to the 2026 Billboard Power 100 event in Los Angeles.
At the 2026 Billboard Power 100 event in Los Angeles, Maggie Lindemann stepped onto the black carpet in something that felt more quiet confrontation than crowd-pleaser. Her choice? A fully sheer black-and-white striped gown , fitted and floor-length, built from a see-through knit structure that clung just enough. No lining, no drama beneath — just visible straps and skin, framed like a scanline from a glitchy VHS tape. It was bold, but the delivery stayed calm.
The silhouette was simple: long sleeves, deep-V neckline, and a straight hem that brushed the tops of her feet. Fine horizontal stripes alternated between slightly reflective white and inky black, banding across her shoulders down through the ankles like a soft armor grid. Underneath, visible black undergarments cut sharply through the illusion — an intentional break in the rhythm. She wore a delicate silver cross necklace , subtle enough to get lost unless you looked twice, and let it fall precisely into that deep neckline like it belonged in that exact spot.
