Margot Robbie wore a custom Schiaparelli ombré gown with lace and velvet at the Wuthering Heights world premiere in Los Angeles, January 2026.
At the world premiere of Wuthering Heights in Los Angeles on January 28, Margot Robbie arrived in a look that could only have existed in the realms of couture and a certain unapologetic surrealism. The silhouette reads classic at first—strapless, fitted at the bust, dramatic skirt—but the construction quickly subverts that instinct. A corset-style bodice made of sheer black lace clings to her torso with the tension of something historical, maybe even ghostly. Directly beneath, a massive drop-waist peplum of sculpted black velvet juts out like the lid of a blooming flower. The hem blooms further into red. Not poppy red. Stage curtain red. Heavy, gothic, theatrical.
It’s custom Schiaparelli , and it shows. The drama isn’t just visual—it’s structural. The gown turns the body into stage architecture.
Around her neck: the unmistakable Cartier Taj Mahal necklace , with its signature engraved heart-shaped pendant, suspended by a thick gold chain right at the collarbone. A power piece. Her earrings— Lorraine Schwartz diamonds , intentionally understated but still cutting—echo the neckline. One ring, bold in proportion: a Fred Leighton ruby and diamond statement that borders on symbolic. Not just jewelry as detail, but as punctuation.
Melania Trump wore a belted black coat dress and pointed pumps during her NYSE appearance in New York City on January 28, 2026.
During her visit to the New York Stock Exchange on January 28 , Melania Trump delivered a look that was less fashion-as-statement and more about presence. Sleek, unbothered, and cohesive. Her black coat dress hit mid-calf—no embellishment, just shape. It flared slightly from the waist, structured but not stiff, like something intended to carry weight without drama.
The focal point? A wide black leather belt with contrast stitching, cinched high but not aggressively so. It carved out a silhouette that felt pulled from classic civics-wear—boardroom, briefing, or press backdrop. A little old-school, a little cold steel. The waterfall waves in her hair soften it—their movement contrasts the blunt lines of the coat. Glossy, evenly shaped. The makeup was barely-there glam. Flawless skin, neutral lips, brows shaped surgically into place.
Emmanuelle Chriqui wore wide-leg navy trousers with a cropped jacket and deep V top at The Lincoln Lawyer Season 4 premiere in LA.
At the Los Angeles premiere of Netflix’s The Lincoln Lawyer Season 4 on January 28, Emmanuelle Chriqui showed up in a look that’s tailored but relaxed—and not trying too hard to impress. Think clean lines with mild playfulness. A dark navy co-ord set with wide-leg trousers and a cropped matching jacket, both detailed with visible topstitching that feels more ‘Stella McCartney 2012’ than brand‑new runway. It has that slightly nostalgic department store chic, the kind that’s confident in its utility.
The jacket rests loosely on her arms—not worn, just perched—and the black V-cut satin camisole underneath gives the whole look its mood. It dips low, but doesn’t overplay. Belted at the waist with a shiny, braided black belt. Just enough shape to avoid drowning in the proportions. The pants hit the floor. They sweep instead of swing.
