Margot Robbie wore a sheer pink Dilara Findikoglu gown with vintage jewelry at the Wuthering Heights UK Premiere on February 5, 2026.
Whatever Margot’s doing here — it’s not about playing it safe.
Stepping onto the Wuthering Heights UK Premiere carpet on February 5, 2026, Margot Robbie didn’t just wear a look — she built a moment. One that walks a line between costume and couture, but keeps its footing the whole way through.
The dress — a custom Dilara Findikoglu piece — is sheer blush pink mesh, wrapped tightly with twisting antique gold trim , almost rope-like. It moves over her body like it’s sewn in place, sculpted rather than stitched. There’s no faking modesty here, but very little feels gratuitous. That balance is tough. And she nails it. The exposed corsetry, the chains grazing her hips, and the train dragging like smoke — it’s raw and regal at once.
Zoom in, and things get even weirder in the best way. She’s wearing a rare Boucheron Assyrian Lion brooch from 1920 , layered with the Boucheron Walkyrie Brooch from 1900. On her hands — not one, but two ruby-set rings by Jessica McCormack , and a Bespoke Garnet, Pearl & Diamond earring set . Layered, loaded, but not weighed down. The finishing touch? That eerie, beautiful Charlotte Brontë hair bracelet — made in collaboration with Wyedean and the Brontë Parsonage Museum, because of course Margot took it there.
Her shoes — barely visible but confirmed — are Manolo Blahnik Custom Catshaw sandals , neutral and quiet beneath all the chaos.
This is what happens when a red carpet look leans into risk — and keeps going until the ending feels earned.
Lauren LaVera wore a strapless black leather bustier with a sleek pencil skirt at the Twisted Screening in Los Angeles February 2026.
If you ask me, this is one of those red carpet looks that hits quietly but lands hard. It’s not oversized, not sparkly, not trying to scream. But it commands the frame.
Lauren LaVera showed up to the Twisted screening in Los Angeles on February 3, 2026, in a strapless black leather bustier that’s impossibly tailored. The structure is everything — carved to her shape without over-explaining. The boning is subtle but doing real architectural work here. Below the bustier, she styled it with a black pencil-style skirt that falls just below the knee, creating this pin-straight silhouette that’s minimal but locked-in. The fabrics contrast — matte jersey skirt meets soft-sheen leather top — and that’s what keeps the outfit from feeling costume-y.
Her black pointed heels are simple, basically don’t distract, and that’s exactly the point. She lets the bustier stay the loudest one in the room. Hair’s pulled back with just enough volume at the crown — very late-90s runway — and the statement earrings add just enough shimmer to keep the look from sinking into full monochrome seriousness.
I’ll say it: the choice to go almost completely black, with zero sparkle in the dress itself, actually feels bold in 2026. Everyone’s chasing naked dresses or hyper shine right now, but this? This is restraint done right.
The whole thing works because it’s unapologetically pared-down — dramatic by shape, not decoration.
Grace Van Patten wore two contrasting outfits in CULTURED Young Hollywood February 2026 editorial, balancing sharp tailoring with softer layered textures.
In CULTURED’s Young Hollywood February 2026 issue, Grace Van Patten shows up in two very different moods. That’s the fun part — the spread doesn’t settle on one version of her.
First look: a tailored outfit that leans sharp. Structured lines, clean cut, the kind that hangs well without shouting. If you ask me, this is the kind of piece you’d actually wear from a press event straight into dinner. The best part? It looks comfortable, not stiff.
Second look: layered textures, softer, almost romantic. Think fabric that moves, details that catch light. She’s not trying to be perfect here — and that’s why it works. The outfit feels lived-in, like something you’d throw on for a styled shoot but still keep in your own wardrobe.
What I love about this editorial is the contrast. One outfit says “seriously sharp,” the other says “I’m fine being imperfect.” Together, they make her feel more real than polished.
