Margot Robbie wore a long black leather coat and wide-leg trousers with dark sunglasses during a casual London outing on February 3, 2026.
In London on February 3rd, 2026 , Margot Robbie gave us one of those rare street style moments that doesn’t try too hard. Just a woman on the move with sharp tailoring and somewhere to be. She wore a long black leather trench , heavy in drape but easy in cut—cinched slightly at the waist, shoulders broad but relaxed, falling open just enough to show pieces underneath. All black. All texture.
There’s no title card, no glossed-up exit. Just midnight-toned wide-leg pants skimming the ground, barely catching the heel of her black leather Chanel pumps from the Spring 2026 collection . In hand? A structured Hermès Birkin bag —worn, not flaunted. Her Akila Verve sunglasses tucked perfectly into the frame of soft hair, straight and parted down the middle. Shades on. No expression given away.
It’s not edgy. Not glamorous, either. This is travel dressing that understands luxury without advertising it. The Sage & Salt Evil Eye Charm on her Birkin adds exactly one wink to the otherwise stone-faced look. No trend-chasing, no effort to charm the lens. Just function, form—and flight path energy. The look wasn’t built to pose, it was built to move—and that’s the whole point.
Paige DeSorbo posed in a short white robe and pointed heels for her February 2026 fashion photoshoot with Inc. Magazine.
For the February 2026 issue of Inc. Magazine , Paige DeSorbo stepped out of her Bravo frame and into something a little messier, a little more mischievous. Just her, a white robe, and a camera flash that seems to come with a wink, not a warning. The terry cloth robe is short—cinched, off the shoulder, loose at the sleeves—and looks more hotel suite than high fashion, though the contrast piping and monogram down by the hem give it the tiniest trace of control.
She kept it clean: white pointed heels and nothing else. Hair damp, flipped to one side, still catching that “just got out of glam but stopped for a selfie” shine. No jewelry. No backdrops, aside from white walls and a dark navy carpet so plush you could sink straight into it. The lighting? Harsh. Deliberate. Like someone brought a disposable camera to a dressing room and just rolled with it.
It’s the kind of editorial that doesn’t try to look like effort. The aftermath of styling, not the construction of it. More robe than runway, more energy than elegance—and all of it works because she lets it feel a little unfinished.
Anya Taylor-Joy wore a black turtleneck and Khaite leather zip skirt at Apple TV’s 2026 Press Day held in Santa Monica on February 3.
At the Apple TV Press Day on February 3rd, 2026 , held at Barker Hangar in Santa Monica, Anya Taylor-Joy showed up with the ease of someone who doesn’t need noise to be noticed. A black fitted turtleneck tucked tightly into a high-rise leather pencil skirt , cut long with a front zip-slit slicing upward toward the thigh—clean, slick, unfussy.
The skirt is the Khaite Ruddy Skirt , and it looks like it was made for exactly this kind of event appearance : minimalist backdrop, media-facing stillness, cameras at waist level. Her hair hung down pin-straight—glass-blonde and precise. Black lacquered open-toe stilettos kept the look strict but breathable. No visible bag. Barely-there jewelry. No color, unless you count the slight sheen on the leather catching beige carpet tones beneath.
This ensemble pushes past “editorial” into something colder. Cooler. Control cosplay . Instead of ornamentation, it leans on silence—no print, no sparkle, no delay. And that’s exactly what makes it feel modern: In an industry built on choreography, she dresses like she already knows the scene ends on her.
