Margot Robbie wore a limestone moire corset gown by Wiederhoeft to her Graham Norton Show appearance in London on February 6, 2026.
Margot Robbie never forces a moment. She just sits down, crosses her legs, flashes a smile — and the camera does the rest.
Making an appearance on The Graham Norton Show in London on February 6, 2026 , Margot Robbie wore the Wiederhoeft Venus Corset and Floor-Length Wasp Skirt in limestone moire , a look that somehow managed to feel Victorian and easeful at the same time. The corset doesn’t play around — it’s structured, nipped, and boasts a raw-edged center seam closed with ribbon threading, visible and deliberate.
The moire finish shimmers just enough on TV. Not showgirl shimmer — more like movement in silk under purposeful lighting. The way the fabric folds and reads on camera? It does half the talking. Robbie kept accessories to the minimum: a simple gold choker around her neck, soft waves tucked behind one ear, and flushed cheeks that gave just enough red to pop against the muted tone of her dress.
She was there to talk about her role as Cathy in Emerald Fennell’s new take on Wuthering Heights — a part she initially hadn’t planned to take, but eventually decided to throw herself into. One look at this outfit and it’s clear: she understands drama when it matters. And restraint when it doesn’t.
You can’t teach balance like this. But Robbie wears it like second skin.
Liberty Poole wore a dramatic black lace corset gown with ruched satin and red tulle for the Wuthering Heights UK premiere in London, February 2026.
Gothic glamour with full impact. That’s the headline. No soft moment here.
Liberty Poole arrived at the UK premiere of Wuthering Heights in London on February 5, 2026 , in a sheer black lace corset gown exploding into satin swirls and voluminous red tulle at the hem. It’s operatic, theatrical, and unapologetically costume-coded — and somehow, she makes it feel on-theme instead of overdone.
The top half is all corsetry. Transparent lace. Exposed boning. High neckline. Gloves pushed halfway to the elbow for that extra touch of drama. The silhouette narrows sharply before erupting into layers of gathered black satin that ruffle outward like scorched folds, revealing flashes of blood-red tulle underneath. A dress that practically dares you to look away.
What makes this chaos hold together? Confidence. And control in the accessories. She keeps the rest tight: sculpted waves, minimal jewelry, and a black patent handbag clutched just tight enough to feel calculated. There’s no wink or ironic bow here. She committed — and the carpet returned the favor.
This wasn’t about “being best dressed.” It was about landing in the world of the story. Romantic ruin, corsetry, stormy beauty. She got it. And she ran with it.
Madelyn Cline wore a turquoise Ripple Drape Dress by Christopher Esber with Kinraden silver earrings at the NFL Honors in San Francisco, Feb 2026.
This isn’t your average red carpet gown. It’s liquid, minimalist, and slightly dangerous.
Madelyn Cline arrived at the 15th annual NFL Honors in San Francisco on February 5, 2026, wearing the Christopher Esber Ripple Drape Dress in a piercing shade of aqua. The cut is sleek but fluid — twisting right at the center with folds that frame the plunging neckline . It’s deeply unbothered. The kind of dress that doesn’t need a contour, or a corset, or 45 minutes of fluff.
From a distance, it looks like the fabric just poured itself into position. But up close, it’s clear the construction is precise. Those sculpted gathers fall exactly where they’re meant to, creating dimension with zero extra volume. The daring plunge might grab your attention first, but it’s the confidence of the drape that sells it.
She kept the jewelry quiet — Kinraden Doric Small Silver Earrings , subtle hoops that barely graze the ear. A silver watch peeks out on her wrist. No clutch, no capelet, no mess. Hair is chopped to mid-length and styled straight, like she knew the dress was doing all the heavy lifting. And it is.
This dress doesn’t scream. It whispers something a little smug — like it knows it’s the best thing on the carpet, but doesn’t need to fish for praise.
