Maria Bakalova’s latest editorial for Numéro Netherlands is a visual jolt—her layered silhouettes and surreal textures channel a kind of couture chaos, beautifully controlled.
Maria Bakalova has never been one to shy away from fashion’s more theatrical corners, and her August 2025 photoshoot for Numéro Netherlands proves she’s fluent in the language of editorial drama. Across a series of stark compositions—some in monochrome, others bursting with color—Bakalova transforms into a living sculpture, each look a study in tension, texture, and unapologetic eccentricity.
In one black-and-white frame, Bakalova wears a strapless black top with a fitted bodice, paired with a voluminous, ruffled skirt that flares dramatically at the hips. The skirt’s horizontal layers create a sculptural rhythm, almost architectural in their precision. Beneath, patterned leggings swirl with embellishments—baroque meets cyberpunk. Another look features a fuzzy, cropped charcoal top with buttons, juxtaposed against a sheer orange skirt embroidered with sequined florals. The contrast is electric: matte versus shimmer, restraint versus riot.
Lola Tung’s latest New York appearance was a sartorial curveball—her buckled straps, polka-dot tights, and ruffled hem delivered street style with a surrealist wink.
Lola Tung knows how to keep fashion interesting. On September 2, 2025, outside ABC Studios in New York City, the rising star stepped into a look that felt part anime heroine, part downtown intellectual. It was a collision of textures, tones, and unexpected details—proof that street style doesn’t need to be loud to be unforgettable.
The dress itself is a study in contrasts. A textured, form-fitting bodice anchors the look, while a light blue ruffled hem adds a playful, almost doll-like finish. Black strap details with silver buckles run over the shoulders, giving the silhouette a utilitarian edge—think Vivienne Westwood meets Miu Miu. The fabric appears structured but breathable, with a subtle sheen that catches the city light. It’s a silhouette that hugs without clinging, flares without fuss.
Tung pairs the dress with sheer polka-dot tights—whimsical, retro, and slightly rebellious. Her white shoes, adorned with delicate bows, add a touch of innocence, while a black handbag grounds the look with a classic finish. Eyeglasses frame her face with a scholarly charm, offering a cerebral counterpoint to the outfit’s more fantastical elements. The accessories don’t compete—they converse.
This look taps into the new wave of eclectic femininity—where bows meet buckles, and softness is layered with structure. It’s a style movement that’s been bubbling up on runways and sidewalks alike, championed by Gen Z tastemakers who refuse to choose between pretty and powerful. Tung’s outfit feels like a manifesto for this moment, and it belongs squarely in the canon of celebrity street style .
Sadie Sink’s latest Armani Beauty shoot is a quiet revelation—her black-and-white palette, paired with red waves and soft light, feels like a love letter to restraint.
In a world of maximalist campaigns and over-styled editorials, Sadie Sink’s August 2025 photoshoot for Armani Beauty is a breath of satin-smooth air. Captured in a softly lit room, Sink trades spectacle for intimacy, offering a look that’s more whispered poetry than billboard bravado. It’s a visual lullaby—elegant, pared-back, and quietly magnetic.
Sink wears a sleeveless black top paired with a white satin skirt—an ensemble that plays with contrast not just in color, but in texture and tone. The top is matte, structured, and minimal, while the skirt flows with a liquid sheen, catching the ambient light like moonlight on water. The silhouette is classic: fitted above, fluid below. It’s the kind of look that could belong in a 90s Calvin Klein campaign or a Sofia Coppola film—timeless, tactile, and emotionally resonant.
No jewelry, no embellishments—just fabric, form, and presence. The absence of accessories feels intentional, allowing the materials to speak without interruption. In a second image, Sink is seen in a white bathrobe, applying mascara in front of a mirror. It’s a moment of quiet ritual, a nod to the kind of c elebrity photos that capture not just style, but soul.
