At the Blanca Season 3 launch in Rome, Maria Chiara Giannetta fused high fashion with architectural tailoring — belted grey suiting, metal accents, and a garden backdrop that whispered editorial.
Maria Chiara Giannetta didn’t just attend the Blanca premiere — she redefined it. In belted grey suiting and a backdrop of Roman greenery, she made structure feel cinematic.
The look is built on precision. A double-breasted blazer, cinched at the waist with a belt that reads more sculpture than accessory, anchors the outfit in editorial clarity. The trousers fall straight, clean, and deliberate. The shirt — buttoned to the top — adds a layer of restraint that feels quietly powerful.
This is suiting that evokes the rigor of Phoebe Philo’s Céline and the edge of Haider Ackermann. The monochrome palette allows the cut and detailing to lead. The belt, with its metallic rings, disrupts the uniformity just enough to inject personality. It’s a fashion spread moment disguised as a press event.
No jewelry, no bag — just the belt. It’s a styling decision that keeps the focus on silhouette and proportion. The absence of adornment feels intentional, editorial, and era-aware.
When a belt can carry the whole silhouette, maybe it’s time we stopped calling suiting a trend — and started calling it a language.
Odelya Halevi champions a sharp press event style, unveiling a chic, pale yellow skirt suit at a media event to celebrate her hit show.
With the New York City skyline serving as her personal runway, Odelya Halevi unveils a fresh take on the classic suit. For her visit to the Empire State Building to celebrate the 25th season of Law & Order , she chose a striking two-piece ensemble in a pale, buttery yellow. The outfit champions a modern, youthful take on traditional tailoring, defined by a cropped jacket with a single button closure and a matching A-line mini skirt. The fabric appears to be a textured, light-colored material, likely a wool blend or a similar weave, giving the suit a substantial yet summery feel.
Beneath the jacket, a cropped vest in the same hue completes the look, creating a cohesive and streamlined silhouette. The styling is impeccable, with simple but elegant accessories. Halevi chose a pair of white, pointed-toe heels that elongate her legs and provide a clean finish to the celebrity event look . The only visible jewelry is a set of delicate rings on her fingers, allowing the vibrant, optimistic color of the suit to take center stage. Her dark hair is styled in loose waves, offering a soft contrast to the sharp lines of her outfit.
In her July 2025 cover for Numéro Netherlands Digital, Jessie Murph turns a dimly lit room into a high fashion spread — sheer fringe, veiled mystery, and a box fan that whispers rebellion.
There’s something deliciously off-script about a barefoot artist in a veil, standing beside a box fan in a half-lit room. Jessie Murph’s Numéro Netherlands Digital cover, shot by Dana Trippe, doesn’t just bend the rules of fashion photography — it rewrites them in fringe.
Murph wears a sheer, fringed ensemble that drapes and dances with every shadow. The veil — gauzy and theatrical — obscures her face just enough to evoke mystery without detachment. The outfit’s silhouette is loose, almost ritualistic, with fringe cascading like smoke. She’s barefoot, grounded, and deliberate. No jewelry, no heels, no gloss — just raw styling and mood.
The embedded text is minimal: “JESSIE MURPH by DANA TRIPPE” and “Music.” It’s a whisper, not a shout — letting the image speak louder than any caption. The lowercase “digital” in the masthead feels intentional, almost anti-establishment. This isn’t a beauty shot. It’s a mood board for a generation that prefers emotion over polish.
