Mariah Carey wore a black floral lace sheer overlay gown at the 2026 MusiCares Person of the Year gala at the Los Angeles Convention Center.
At the 2026 MusiCares Person of the Year gala honoring her own legacy, Mariah Carey arrived on the red carpet with an effortless sense of ceremony. The moment wasn’t about reinvention — it didn’t need to be. Carey leaned into her signature silhouettes with confidence, choosing a sheer black lace gown fully embroidered with 3D floral appliqué , worn over a structured black corset and high-leg briefs. Every part of the look was familiar: see-through drama up top, softness flowing below, cleavage framed but controlled. In short? Total Mariah.
The embroidery cascaded from shoulder to train in consistent volume, giving the piece weight without stiffness. It skimmed the body without clinging. Her sleeves hung slightly off the shoulder, adding curvature. The styling was crystal-clear: diamond pavé tennis bracelets , a layered choker necklace , matching drop earrings. All ice. Nothing retro, all Carey.
Her hair — long, full, glossy waves — poured effortlessly over one side. The kind of fluffy glam that’s been all but trademarked by her since the Daydream era. Dramatic eye, taupe lips, frosted glow. It’s the same playbook she’s used for red carpets for decades — and that’s not fatigue, it’s consistency.
Carey isn’t trying to “modernize” her fashion legacy into 2026. She doesn’t have to. This look didn’t reach for the relevancy of now. It deepened the signature of then.
Some stars evolve with time. Mariah built her own time zone — and showed up in it right on schedule.
Hilary Duff wore a white T-shirt and wide-leg jeans with a Gucci Giglio tote while out shopping in Los Angeles in January 2026.
Hilary Duff kept it casual but deliberate during a family outing stop at Ralphs in Los Angeles on January 30, 2026 , selecting a look that honored both comfort and structure. Her outfit reads like a uniform for modern celebrity errands: a fitted white crewneck T-shirt , tucked slightly into a pair of washed blue wide-leg jeans with a slouchy high rise. Nothing flashy — but noticeably tailored in its ease.
The jeans fall long and loose, pooling with just enough drag to show off her barely-there black flip-flop sandals — more grounding than accessory. Over her shoulder: the unmistakably monogrammed Gucci Giglio Large Tote Bag , identifiable by its tan GG canvas, bold stripes, and wide carry-all shape. No zipper, just drop-and-go utility. She wore it like someone who knows precisely where each snack, receipt, and preschool craft is buried inside.
Tiny details finished the look: narrow oval sunglasses with copper-tinted lenses, a cuffed ear stack of small hoops , and a muted pink mani. Her hair, undone but not messy, was pulled loosely into a middle-parted bun with a few strands falling along the face — not styled , exactly, but processed into its own kind of mood.
There’s nothing performative here. No unnecessary trend-hopping. It’s measured simplicity, part of a larger shift in celebrity street style : the idea that a quiet outfit can still say, “yes, it’s me,” without shouting it aloud.
Sometimes the sharpest look is the one that forgets to try.
Jennifer Hudson wore a sparkling navy gown and textured blue coat for the 2026 MusiCares Person of the Year tribute to Mariah Carey.
Jennifer Hudson knows how to do red carpet volume — but she doesn’t let it swallow her. At the 2026 MusiCares tribute to Mariah Carey , her look was somewhere between diva fantasia and intergalactic lounge commander. A fully embellished navy gown , cut high at the slit, hugged her body like it was sewn onto breath itself — subtle shimmer all over like scattered stars.
And then came the coat.
Not a coat, really — more like a moving landscape. A massive, floor-dragging, textured blue outer layer with waves and ridges that caught light like crushed velvet met synthetic stormcloud. Sleeves sculpted but oversized, dropped just enough that her posture took center stage anyway. The contrast worked: fine glitter controlled in the dress, loose chaos in the coat. Function? Absolutely none. But impact? All of it.
The styling stayed minimal to let the clothing breathe loud. Simple navy pumps , no oversized jewelry, makeup soft but warm. Hair framed at the top then let loose at the ends — controlled volume mirroring her look.
It wasn’t subtle. It wasn’t meant to be. But it wasn’t trying to shock either. It just occupied its space like it could never belong anywhere else.
Sometimes a gown walks the carpet. Other times, it drags thunder behind it.
