Marianne Fonseca attended the Schiaparelli Spring Summer 2026 Haute Couture show in Paris wearing a knitted two‑piece golden brown set with a matching clutch.
In the chill of January Paris, Marianne Fonseca stands out in burnished tones outside the Schiaparelli Spring/Summer 2026 show. Her look is sculptural but playful—a fitted knit two‑piece in gold and deep brown , designed with a repeating scale‑like pattern that catches the light from every flash. The top , fastened with ribbon ties down the center , balances precision and ease, while the matching leggings trace her silhouette closely, ending just above classic black pointed heels . In one hand, she carries a black Schiaparelli clutch adorned with the brand’s signature surreal hardware, gold accents glinting against the neutral tone of the outfit.
Next to her, a companion in relaxed tailoring—an oversized black suit layered over a sheer shirt and dark burgundy platform shoes—adds a grounding contrast. Together they read like fashion’s modern duality: texture meeting simplicity, wit tempered by calm. It’s a pairing that fits the tone of event appearances during Paris Haute Couture Week this season—effortless coordination masking real strategy.
Karlie Kloss wore a sheer black Dior Pre‑Fall 2026 dress with Dior Muse pumps and a Cigale bag at the brand’s Haute Couture show in Paris.
At the Christian Dior Haute Couture Spring/Summer 2026 show in Paris, Karlie Kloss arrived in a quiet kind of drama—no sparkle, no glare, just precision. She wore a Dior Pre‑Fall 2026 black dress , soft in structure with a slightly sheer texture catching the interior light. The long, flowing cut drapes without weight; three‑quarter sleeves puff slightly at the elbows, balancing simplicity with form. On her feet, Dior Muse pumps —patent black, thin strap, subtle shine. Her Cigale bag , also black with clean lines and gold hardware, fits the restrained mood perfectly.
The setting—checkered marble floors and muted walls—played its part. Everything about the moment whispered calm, that signature Dior discipline . There’s ease in this kind of look, but it’s not casual. It’s meant for the person who doesn’t need to shout to be seen. The dress reveals just enough translucence to keep it current, the cut anchoring it in a long lineage of Parisian understatement.
Monica Barbaro wore a Dior Pre-Fall 2026 dress with Dior Spring 2026 Slingback Sandals at the Dior Haute Couture Spring/Summer 2026 show.
The checkered floor of the venue feels like a chessboard, and Monica Barbaro just made a move. It’s a quiet, almost severe setting—stone walls, heavy greenery, the kind of place where you expect silence. But she brings a specific kind of noise. Not loud. Just present. She is attending the Christian Dior Haute Couture Spring/Summer 2026 show as part of Paris Fashion Week, and the outfit is a masterclass in celebrity style that refuses to play it safe. It feels less like a dress and more like a sculpture she’s wearing.
The Dior Pre-Fall 2026 Dress is a slab of black jersey that’s been twisted, folded, and pinned into submission. It’s draped across the torso in a way that hides the waist, creating a column of fabric that falls to the knee. The real punchline, though, is the neckline. It’s a stiff, architectural cowl that sits high, almost choking, but then explodes into this unexpected burst of color. A single, oversized floral applique—red and orange petals with green leaves—sits right on the collarbone. It looks almost painted on, or maybe like a brooch that got too big for its own good. It’s a weird, melodramatic detail that shouldn’t work with the rest of the severe black, but somehow, it does. It feels like a bruise, or a wound, or just really aggressive gardening.
Below the knee, the dress breaks into a fluid, asymmetric hem that trails slightly behind her. She’s wearing Dior Spring 2026 Slingback Sandals —black, strappy, with a high heel that looks painful but necessary to elongate the leg. The shoes are delicate, almost fragile against the heavy draping of the dress. In her hand, a small black clutch, barely visible. Her hair is pulled back tight, exposing the jawline, the makeup is minimal except for a dark lip that matches the dress. There’s no jewelry. No distractions. Just the dress and the flower.
