Maude Apatow’s GRAZIA UK February 2026 shoot moves between casual food stop and convertible calm, caught in four sharp frames.
In GRAZIA UK’s February 2026 issue, Maude Apatow sits against a red-tiled wall, Tommy’s Hamburgers sign behind her. Beige sweater, food in one hand, drink in the other. Sunglasses dropped on the grass. It’s not polished. It’s just a pause, a bite, a sip.
Another frame shifts. White cropped sweater, culottes high at the waist, black heels clicking on a sunlit sidewalk. Palm trees line the street, cars parked, sky clear. The outfit is sharp, but the mood is everyday. Light and shadow cut across her stride.
Then the convertible. Black sleeveless dress, textured, leaning against a white Mercedes. Palm trees behind, greenery thick. It’s elegant, but not staged. More like someone waiting, leaning, caught in the middle of a thought.
The last look folds leisure into style. Bandeau top patterned, oversized cardigan draped, sunglasses on. Standing in the car, sky wide, palms tall. It’s relaxed, almost careless. But the frame makes it feel deliberate.
Together, the spread doesn’t flatten her. It lets her shift. Hamburgers, sidewalks, cars, cardigans. GRAZIA UK doesn’t chase one image. It lets Maude be many.
Devon Lee Carlson wore a sage green slipdress with lace trim and white pointed heels to the 2026 Grammy Afterparty with W Magazine.
At the W Magazine, Charli XCX and Saint Laurent Grammy afterparty held at Bar Marmont on February 1, 2026, Devon Lee Carlson made an intentionally undone statement in a look that smirked at the usual event appearance expectations. Think lingerie-daydream meets fashion cynic with a cocktail in the other hand.
She wore a pale sage green slipdress with adjustable spaghetti straps and taupe lace detailing around the neckline and hem—purposely wrinkled, drawstring cinched at the waist, and ever so slightly sliding into off-balance energy. The asymmetric hem drifted just above the knees, edged in aged lace that winked more thrift haunt than haute couture.
Her white pointed stilettos sharpened an otherwise slouchy look, elongating the legline while fighting the softness of the fabric. On her arm? A deep brown half-moon leather bag , round and bulky in contrast to the fluttery silhouette—another gesture that says she didn’t come here to conform. Dark tights underneath the whole thing sealed the “night out at Bar Marmont” intent.
Dark wavy hair tucked behind one ear, center part loose and low-maintenance. And the oversized black sunglasses —worn indoors—pushed the whole look into ironic territory. It’s not that she doesn’t know it’s a pajama dress. It’s that she’s daring you to call it one.
The fashion verdict ? It’s not polished. But that’s the point. Devon weaponizes the half-dressed aesthetic to remind us that done-up and dressed-up are not the same.
Tate McRae wore a custom black Balenciaga gown with long gloves and tousled hair for her Vogue Grammys February 2026 photo diary.
For her Vogue Grammys photo diary , shared in February 2026, Tate McRae selected a sharp yet purposeful look—equal parts vamp and velvet rope. She wore a custom Balenciaga strapless black gown , precise in silhouette but unruly in spirit. The fabric didn’t hug—it shaped. The bodice was sculptural, arching into a curved neckline without visible lining or boning. It flowed into a tapered hemline that allowed subtle movement, aided by floor-length paneling in soft fringe or shattered velvet that gave textural ambiguity.
Her styling pulled references from a few corners—old Hollywood, Madonna’s Blonde Ambition era, pre-Y2K runway punk. A pair of Balenciaga Spring 2026 gloves , long, supple, and influenced by armor, extended past her elbows and gave structure to every pose. They’re not just accessories—they extend the line of the silhouette. No earrings. Instead, the neck was anchored with a gold choker , thick and modern, resting like a collar of quiet defiance.
Makeup leaned toward a bold smoky eye , heavily shadowed at the outer corners and swept upward. Her lips—neutral, matte, and lined—acted more like punctuation than color. Hair, crafted by Dimitris Giannetos, was glam but deliberately imperfect: soft extension-led fullness, center-parted, waved with Kate Moss in mind. The finish? Neither glossy nor flat. Just movement.
Skin radiated with visible prep: Neutrogena Hydro Boost Hyaluronic Acid Water Gel clearly did its job, as did the Neutrogena Healthy Skin Radiant Cream Concealer in tones Sugar and Hazelnut , used to both correct and contour. Neutrogena Hydro Boost Lip Balm in Sheer Berry sealed the lips in a flushed tone that didn’t compete, only echoed.
Nails came courtesy of Essie Gel Couture Bubbles Only —a deep berry punch, short and manicured, subtly rebellious. And yes, her fragrance was calculated— Initio Parfums Prives Atomic Rose Hair Perfume , misted post-styling, leaving the suggestion of rose and vanilla behind as scent trail chic.
The fashion verdict ? Dramatic, choreographed, and editorial by design . This wasn’t a red carpet look—it was a photoshoot performance in motion.
