Maude Apatow swaps Hollywood’s glitz for a whisper-soft gingham reverie—her TheWrap portrait at TIFF 2025 is less about spectacle and more about the quiet power of a dress that feels like a second skin (or perhaps a love letter to a bygone era).
Maude Apatow has long been a standout in the realm of celebrity style , but her latest appearance at TheWrap’s Toronto International Film Festival portrait studio might just be her most compelling yet. In an industry often dominated by sequins and statement-making, Apatow’s choice—a delicate gingham dress—feels like a breath of fresh air, a sartorial pause button in a world that’s always fast-forward.
The dress, a soft gingham in pale cream and muted gold, is a study in understated elegance. The fabric appears lightweight, almost ethereal, with a subtle sheen that suggests a blend of cotton and silk. The pattern—small, even squares—is classic, but the cut is anything but: a Peter Pan collar frames her face, while the short sleeves and knee-length hem lend a youthful, almost schoolgirl charm. Yet, the way the dress skims her form, neither clinging nor billowing, speaks to a maturity and confidence that transcends the fabric’s innocence.
The silhouette is deceptively simple. The bodice is structured just enough to define her waist, while the skirt flares gently, creating movement without volume. It’s the kind of dress that feels timeless, as if it could belong to any decade—or perhaps to none at all.
Apatow’s hair is styled in a soft, chin-length bob , its rich auburn hue complementing the warm tones of the dress. The cut is blunt but not severe, framing her face in a way that feels both modern and timeless. Her makeup is equally understated: a hint of mascara, a wash of neutral shadow, and lips that look naturally flushed, as if she’s just stepped in from a brisk autumn walk.
The overall effect is one of effortless cohesion . There’s no competition between the dress, the hair, and the makeup—just a harmonious blend of elements that feel as though they’ve always belonged together.
Discover Scarlett Johansson’s iconic TIFF 2025 outfit—a masterclass in fall fashion with a Max Mara blazer, Sportmax shirt, and wide-leg jeans. Get the office siren look and shop the trend now! #ScarlettJohansson #TIFF2025 #CelebrityStyle #OfficeSiren
The Jeans: Denim with Dignity
The Jeans: Denim with Dignity
What made this look so compelling wasn’t just the pieces, but how they worked together. The camel blazer and blue shirt created a warm-cool contrast, while the wide-leg jeans grounded the silhouette. The upturned blazer sleeves and the slight slouch of the shoulders suggested a woman at ease in her own skin—confident, but not trying too hard.
Johansson’s pose in the portrait—seated, one hand resting on her knee, the other lightly gripping her wrist—echoed the outfit’s balance of strength and softness. Her hair, loose and wavy, and minimal makeup (save for a hint of lip color) kept the focus on the clothes, not the celebrity. This was a look designed to inspire, not overshadow.
Get the Look: Scarlett’s Office Siren Formula
- The Blazer: Invest in a double-breasted wool blazer in camel or charcoal. Max Mara’s Falster is a splurge, but brands like &Other Stories and Mango offer similar silhouettes.
- The Shirt: A light blue poplin shirt is a wardrobe staple. Look for one with a relaxed fit and a slight sheen.
- The Jeans: Wide-leg denim in a dark wash is your new power pant. Max Mara’s version is impeccable, but Levi’s and Frame also do excellent wide-fit styles.
- The Shoes: A wedge sandal in a playful color (think pink, rust, or olive) adds personality without sacrificing polish. Chloé’s Maxime is a dream, but Sam Edelman and Stuart Weitzman have great alternatives.
- The Attitude: Wear it like you mean it. Confidence is the ultimate accessory.
Felicity Jones trades red-carpet glamour for moody insouciance—leaning into a ’70s-meets-cyberpunk hybrid at TheWrap’s TIFF portrait studio that feels both timeless and eerily prescient (who knew a blazer could channel Blade Runner’s soul?).
Felicity Jones, ever the chameleon, delivered a masterclass in understated rebellion at TheWrap’s Toronto International Film Festival portrait studio. The setting—a shadow-drenched corner, all raw plaster and golden-hour melancholy—became the perfect foil for her ensemble: a study in texture, tension, and quiet audacity.
Jones’s look hinges on Kallmeyer’s Iman Wool Blend Blazer , a piece that marries the rigidity of menswear tailoring with the fluidity of a lived-in silhouette. The fabric, a deep charcoal wool blend, whispers rather than shouts, its subtle herringbone weave catching the light like a half-remembered secret. Paired with the Kallmeyer Billie Tie Wool Top —a cream confection that softens the blazer’s severity—the ensemble walks the line between boardroom authority and off-duty insouciance.
Below, the Kallmeyer Winona Jeans ground the look in effortless cool. Their wide-leg cut and faded indigo hue evoke a ’70s nonchalance, while the slight fray at the hem hints at a life lived beyond the studio’s four walls. It’s a deliberate clash: the precision of the blazer against the jeans’ laid-back slouch, a sartorial yin-yang that feels both intentional and effortless.
Jones’s Jimmy Choo Isa Pumps —a sleek, pointed-toe style in black—elongate her frame and add a razor’s edge to the ensemble. The pumps’ minimalist design ensures they don’t compete with the blazer’s drama but rather amplify it, like the bassline in a jazz standard. Notably absent are any flashy accessories; here, the focus is on the interplay of fabric and form, not embellishment.
