With candy-colored gems and a whisper of whimsy, Maya Hawke channels Prada’s playful elegance in the Couleur Vivante collection—proof that fine jewelry can flirt.
Maya Hawke has always danced on the edge of indie charm and high-fashion polish. But in Prada’s Couleur Vivante jewelry collection, unveiled this September, she leans fully into the latter—while keeping her signature offbeat pulse intact.
The look is deceptively simple: a sleeveless, light-toned top against a soft blue backdrop. But the real story lives in the accessories. Hawke wears two standout pieces—a bracelet and a necklace—each anchored by a heart-shaped pink gemstone that feels lifted from a pop-art dream. The bracelet, a vivid orange band, wraps the wrist with a playful punch, while the necklace’s cool blue hue offers contrast and calm. Together, they evoke a kind of chromatic flirtation—like Warhol meets Milanese restraint.
Prada’s Couleur Vivante line is all about emotional color theory, and Hawke’s styling nails the brief. The heart motif, often overused in commercial jewelry, feels fresh here—thanks to the unexpected palette and the clean, sculptural setting.
Her hair, worn loose in soft waves, and minimal makeup allow the jewelry to take center stage. No smoky eye, no red lip—just luminous skin and a barely-there gloss. It’s a styling choice that speaks volumes: let the pieces speak, and they’ll sing.
In a season where celebritry fashion often leans maximalist, Hawke’s approach is a reminder that color, when used with intention, can be louder than sparkle.
So, is this Prada’s answer to dopamine dressing in jewel form—or just Maya Hawke proving that heart-shaped gems don’t have to be saccharine? Either way, we’re listening.
At Alba’s velvet-lit soirée, Lana Condor fused garden-party charm with downtown polish—her floral dress and easy confidence a quiet flex in a room full of noise.
Lana Condor knows how to read a room—and dress for it. At the Bustle Magazine x Quinta Brunson event held at Alba in Los Angeles, she arrived in a look that felt like a love letter to late-summer ease, with just enough edge to hold its own in a crowd of media darlings and rising style stars.
Her fitted white dress, adorned with red floral prints and leafy green accents, struck a balance between vintage femininity and modern tailoring. The short sleeves and clean silhouette gave it a wearable elegance—think Sofia Coppola’s Marie Antoinette if she’d swapped Versailles for Silver Lake.
Next to her, a guest in a purple halter dress and white platform heels added contrast, but Condor’s look remained the focal point. The floral motif wasn’t just decorative—it was directional, guiding the eye and anchoring the ensemble in a seasonally appropriate palette.
Accessories were kept minimal, letting the print do the talking. Her pose—relaxed, hands gently clasped—suggested someone who’s comfortable in her skin and her style. The lighting, warm and ambient, added a golden wash to the scene, enhancing the intimacy of the moment.
In a cultural moment where celebrity photos often chase virality, Condor’s appearance felt refreshingly analog. No gimmicks, no over-styling—just a well-chosen dress, a well-lit room, and a woman who knows how to show up.
In a sea of speed and spectacle, Kerry Condon brought quiet edge to the F1 premiere—her textured black gown a study in restraint and rebellion.
At the New York City premiere of F1: The Movie , Kerry Condon didn’t chase the flash of the cameras—she absorbed it. On a gray carpet flanked by high-octane branding and motorsport bravado, Condon’s look offered a counterpoint: sleek, shadowy, and unmistakably intentional.
Her sleeveless black gown, long and lean, featured a semi-sheer textured overlay that played with light and depth. The fabric—somewhere between lace and mesh—created a subtle grid of shimmer and opacity, hinting at movement without ever losing its composure. It was the kind of dress that doesn’t scream for attention but earns it through detail.
No embellishments, no theatrics. Just a watch on her left wrist—possibly Cartier or Omega, though unconfirmed—and a stance that said she knew exactly what she was doing. Her hands, clasped gently in front, added to the composed energy of the look.
Hair was worn long and wavy, cascading over her shoulders in soft, undone ripples. Makeup followed suit: a natural base, muted lips, and a touch of definition around the eyes. The overall effect? A kind of cinematic minimalism—think Carol meets Drive .
In a cultural moment where celebrity style often leans maximalist, Condon’s appearance felt like a palate cleanser. No logos, no loud colors—just a woman, a dress, and a premiere that didn’t need more noise.
Maya Hawke wore a leopard-print coat over a white dress with red accents while arriving at Good Morning America in New York City.
Maya Hawke was photographed on December 18, 2025, arriving at Good Morning America in New York City, delivering a bold street style moment that fused theatrical outerwear with urban chic. Her long leopard-print coat dominated the look, layered over a white dress and a dark red top. A small red handbag and pointed-toe heels completed the ensemble, while her energetic stride underscored the outfit’s dynamism.
