Maya Hawke wore multiple textured looks including fur, leather, and oversized tailoring for HommeGirls Volume 14 Fall/Winter 2025 editorial.
Look 1: The Oversized Coat & Jar
For the cover of HommeGirls Volume 14 , Maya Hawke appears seated cross-legged in an oversized dark gray coat , holding a small glass jar with a green plant. The styling is stark, the background neutral, and the mood contemplative. Shot by Nick Sethi , the image evokes a quiet rebellion—fashion as introspection.
The coat’s exaggerated proportions and Hawke’s grounded pose suggest a retreat from spectacle, embracing the editorial trend of quiet maximalism . The jar, seemingly mundane, becomes symbolic: a vessel of growth, fragility, and control.
Look 2: The Shearling Crown & Fur
In a second image, Hawke sits among scattered twigs wearing a brown textured fur coat with a large beige shearling collar , paired with black sheer tights and black footwear . Her head is adorned with a crown made of intertwined twigs , transforming the scene into a woodland tableau.
This look channels ritualistic surrealism , where fashion meets folklore. The crown, primitive yet poetic, reframes Hawke not as a model, but as a mythic figure—part queen, part creature. The contrast between the luxe coat and the raw branches creates tension: civilization vs. instinct, comfort vs. chaos.
Look 3: The Leather Skirt & White Shirt
Another frame shows Hawke lying on a white sheet-covered couch, wearing a long, dark brown leather skirt with a glossy finish and a loose white button-up shirt , partially unbuttoned to reveal her midriff. A beige drawstring handbag sits beside her, while a black frayed object anchors the composition.
This look plays with editorial dishevelment —the shirt undone, the skirt structured, the pose relaxed. It’s a study in contrasts: polish and ease, control and surrender. The handbag, placed casually, becomes part of the narrative rather than a product placement.
Look 4: The Pleated Pink Dress
Standing against a metallic shutter, Hawke wears a short, sleeveless light pink pleated dress with a tied waist, paired with off-white pointed-toe heels . The urban backdrop and concrete sidewalk inject a dose of street fashion realism , grounding the otherwise delicate look.
Here, the dress lifts slightly in front, revealing movement and spontaneity. It’s a moment of editorial flirtation , where the model becomes a passerby, the shoot becomes a scene.
Look 5: The Robe & Chandelier
In a final image, Hawke lies on a white couch with legs raised, wearing a brown textured robe . A chandelier rests beside her feet , and pointed-toe heels sit on the floor. The composition is surreal—elegance misplaced, domesticity disrupted.
The chandelier, typically suspended, becomes a grounded object, suggesting a collapse of hierarchy. Hawke’s pose, relaxed yet theatrical, turns the robe into anti-glamour armor —a garment of comfort worn in a world of absurdity.
One image includes a quote from Hawke:
“I want art to teach me how to get through a revolution and win.”
This line reframes the entire editorial. Each look becomes a chapter in that revolution—whether through softness, surrealism, or subversion. The styling isn’t just aesthetic; it’s strategic.
Dakota Fanning wore a vibrant green coat against a floral backdrop on The Sunday Times Style October 2025 magazine cover.
For the October 2025 cover of The Sunday Times Style , Dakota Fanning appears in a celebrity photoshoot that merges cinematic presence with editorial precision. She wears a vibrant green coat with oversized buttons, styled against a dark floral backdrop that amplifies the contrast between garment and setting.
The coat’s silhouette is structured yet relaxed, with a bold color that commands attention without veering into theatricality. Fanning’s platinum hair and neutral makeup provide balance, allowing the outerwear to dominate the frame. The composition is tight, the mood deliberate—a studio portrait that feels both intimate and assertive.
The cover headline—“SCREEN QUEEN Dakota Fanning steals the show – again”—is more than a nod to her filmography. It positions her as a figure of continuity in an industry obsessed with reinvention. The styling reflects this duality: the green coat is classic in cut but modern in hue, while the floral backdrop evokes both nostalgia and visual drama.
This fashion spread aligns with the 2025 editorial trend of statement outerwear as identity armor. In a season dominated by neutral layering and quiet luxury, Fanning’s look offers a counterpoint: color as character, silhouette as stance. The floral background isn’t just decorative—it’s narrative, suggesting growth, complexity, and cinematic depth.
Lindsay Lohan wore a pink tank top, shorts, and black leggings for the Old Navy Campaign 2025 fitness-themed photoshoot.
For the Old Navy Campaign 2025 , Lindsay Lohan steps into a fitness-forward spotlight with a look that blends athletic utility and pop-bright styling. Captured in a clean studio portrait against a neutral gray backdrop, she wears a pink tank top layered over matching shorts , anchored by black leggings and accessorized with a pink towel draped around her neck .
Her long blonde hair is styled in soft waves, and her confident pose—hands gripping the towel, gaze direct—signals a shift from red carpet glamour to celebrity photoshoot energy rooted in movement and motivation.
The campaign taps into the 2025 resurgence of retro-inspired fitness fashion , echoing the 1980s and early 2000s workout aesthetics while modernizing them for a digitally active audience. Lohan’s look channels the optimism of pastel palettes and the practicality of layered activewear, aligning with Old Navy’s brand ethos: accessible style with a playful twist.
This isn’t just a fashion spread —it’s a visual nod to the cultural moment where wellness, nostalgia, and celebrity branding converge. The towel-as-accessory recalls aerobics-era iconography, while the monochrome pink palette suggests a curated simplicity that’s both Instagram-ready and commercially viable.
Maya Hawke wore a leopard-print coat over a white dress with red accents while arriving at Good Morning America in New York City.
Maya Hawke was photographed on December 18, 2025, arriving at Good Morning America in New York City, delivering a bold street style moment that fused theatrical outerwear with urban chic. Her long leopard-print coat dominated the look, layered over a white dress and a dark red top. A small red handbag and pointed-toe heels completed the ensemble, while her energetic stride underscored the outfit’s dynamism.
