Maya Jama appears in UK Vogue February 2026, photographed in multiple looks that highlight vintage textures, modern tailoring, and pre-loved fashion.
February 2026. Maya Jama in leopard print, trench coat layered, shoes sharp. The text across the frame reads “FLASH BACK.” The styling vintage, sourced from eBay, Dolce & Gabbana paired with The Attico. The look feels archival but alive, proving second-hand can be first-rate.
Another frame: jacket Balenciaga, trousers Gucci by Tom Ford. The cut precise, the mood nostalgic. It’s not about newness, it’s about resonance. Clothes with history, worn again, carrying their own rhythm.
Final look: seated against gray, cardigan dark, patch on sleeve, skirt floral yellow and white, heels patterned. The pose elegant, legs crossed, arms resting. It feels quieter, softer, but still deliberate.
The editorial blends commentary with styling. Pre-loved fashion, authenticated, sourced through platforms like eBay and Etsy. The message is clear: vintage isn’t just memory, it’s modern currency.
Myha’la appears in Grazia UK January 2026, photographed in multiple looks that highlight bold tailoring, layered textures, and urban confidence.
January 2026. Myha’la standing near a window, cityscape behind her, shirt bright blue, fabric gathered at the waist. Pockets sharp, light natural, lamp hanging above. The look feels modern, crisp, almost architectural.
Another frame: coat dark green, turtleneck red, skirt black asymmetrical. She stands beside an office chair, glass windows stretching, skyscraper pointed in the distance. The pose contemplative, gaze outward. Fashion here feels professional but restless, caught between structure and thought.
Third frame: metallic backdrop, shirt white layered under black dress. Straps thin, hem asymmetrical, tattoo visible on her leg. Hair straight, shoulder-length, expression neutral. The styling blends elegance with edge, shirt formal, tattoo personal.
Final frame: crouched on a conference table, sweater gray, skirt dark, heels sharp. Office modern, glass walls, pendant lights, city sprawling outside. The pose unconventional, almost rebellious, breaking the stiffness of the corporate setting.
Mia McKenna-Bruce appears in British VOGUE’s February 2026 issue, styled in Balenciaga and Tiffany & Co for Brett Lloyd’s editorial spotlight.
February 2026 — Mia McKenna-Bruce steps into the pages of British VOGUE , photographed by Brett Lloyd in a portrait that feels part introspection, part emergence. The shot catches her mid-gesture, one arm close, one gaze sharpened, somewhere between vulnerability and assertion. She wears a cropped vintage orange T-shirt by Jerks , a sculptural Balenciaga leather skirt gathered at the hem, paired with black suede mules that ground the silhouette. A slim gold chain belt and jewelry by Tiffany & Co cut glints of softness through the defined structure.
In the accompanying piece, McKenna-Bruce reflects on two whirlwind years–her BAFTA-winning role in How To Have Sex , marriage, motherhood, and now her latest star turn in Netflix’s The Seven Dials Mystery alongside a role in The Lady , Sam Mendes’ Beatles biopic. She describes her new portrayal of Maureen Starkey with clear affection, calling the project “very authentic” and the energy on set “magic.” That mix of grounded warmth and rapid-fire career evolution defines her presence here–it’s not practiced glamour; it’s velocity in slow focus.
