Mckenna Grace wore a cream Dior vest and structured skirt with the Dior Bow Bag to the Addict Sweet Shop launch party for Teen Vogue.
There’s something old-school about cream on cream. Especially when you pair a vest with drama lighting and call it eventwear.
Mckenna Grace arrived at the Dior Addict Sweet Shop launch party for Teen Vogue on February 3, 2026 , in a look that felt soft, polished, and way more grown than the candy-colored event name suggests. The standout piece? A structured Dior cream double-breasted vest , with a deep halter neckline and dramatic collar swoop. It hugs just enough to define but keeps things formal.
She paired it with a creamy white A-line skirt that balances all the tailoring up top. Sleek, minimal. No pleats, no length drama. But the silhouette as a whole still felt crisp, especially under golden dusk lighting that matched the tone of the look perfectly.
Her accessories were subtle — and strategic. A small Dior Bow Bag in black leather , carried with one hand like it’s more protective than decorative. Sparkling stud earrings (classic, no glitz). Hair falling clean and center-parted, with curtain bangs and a bit of volume keeping it playful. Skin? Glow-on-the-go. The lighting may have done half the work, but the look feels pulled-together in all the right places.
It’s a smart brand launch outfit — elegant with something to say, but nothing screaming from it. Exactly the kind of event where subtle structure works harder than shine.
Jennifer Lawrence wore a leopard bucket hat, UGG boots and The Row overcoat during a winter outing in New York on February 5, 2026.
You can always trust Jennifer Lawrence to make winter look like a mood rather than a punishment.
Spotted walking through New York on February 5, 2026 , she leaned hard into practical layering — and somehow made it feel cool. Her outermost piece? A long, black wool The Row Fleur Coat , oversized without swallowing her. Underneath, a black Patagonia Down Sweater Hoody peeked out at the neck — sporty, weatherproof, and yes, puffed.
Accessories did most of the talking. The Loewe shearling bucket hat with leather trim in a full-out leopard print was loud on purpose, very much the piece that says, “I left the house but I’m not apologizing.” Her bag — a structured Hermès Clemence Asymmetric Shoulder Bag in soft black leather — anchored everything in luxury.
She wore UGG Classic Short II boots , because when the sidewalks are half-slush and the temps are low, you go with what works. Red fleece pants added a dash of color and felt perfectly chaotic under the tailored coat. Gloves, AirPods Pro , and a matte Yeti mug (yes, that detail counts) rounded out the scene.
And the sunglasses? Khaite x Oliver Peoples 1993Cs . Narrow, angular, borderline unapproachable — in the best way.
This is the kind of celebrity street style that works because it feels like she built it inside five minutes. But every single piece hits where it should.
Maggie Rogers wore a cream pinstripe suit, beret, and black leather handbag for the Milano Cortina 2026 Winter Olympics Ceremony in Milan.
You don’t need sequins or a flag cape to show up for an Olympic red carpet in style. Sometimes, you just need quiet tailoring and a beret.
Maggie Rogers arrived at the Milano Cortina 2026 Winter Olympics Opening Ceremony on February 6, 2026 , wearing a cream double-breasted pinstripe suit that walked a perfect line between structure and softness. The proportions were roomy. The shoulders dropped just slightly. The pants were wide. Not dramatic — just intentional.
What elevated this look past corporate? The navy beret , tipped slightly back for just enough Parisian energy without becoming cliché. Beneath the blazer, a crisp white shirt — fitted, but barely visible apart from the open collar. On her arm: a black leather top-handle bag with a folded silhouette — architectural, understated.
Hair? Loose and undone, parted in soft waves that read “I didn’t stress this.” Shoes: black pointed toes peeking beneath the pant hem. Makeup? Basically nothing. A light flush, a pink lip. Nothing pokes too hard.
This is exactly the kind of event appearance that works in a press-heavy environment: remarkable without reaching, and smart enough not to compete with the occasion itself.
And it’s proof that you can do polish without shine. Confidence doesn’t have to be loud.
