Megan Moroney wore sequins and fur at the Christian Louboutin Nashville boutique opening at The Mall at Green Hills.
Megan Moroney attended the Christian Louboutin boutique opening at The Mall at Green Hills in Nashville on November 20, 2025, wearing a look that fused sequin-coded glamour with event appearance-coded clarity. The black fur coat , layered over a pink sequined top and a dark burgundy sequined mini skirt , was paired with black high heels , creating tonal contrast and brand launch punctuation . The silhouette — glamorous, composed, and deliberate — reframed celebrity event look logic as public appearance choreography .
Ana de Armas wore a Louis Vuitton leather ensemble with Logan Hollowell jewelry at the F1 Grand Prix of Abu Dhabi in 2025.
Ana de Armas brought high-octane glamour to the paddock at the F1 Grand Prix of Abu Dhabi at Yas Marina Circuit on December 07, 2025, cementing her status in the world of celebrity style . For this high-profile public appearance , the actress selected a sharp, moto-inspired ensemble by Louis Vuitton. The look was anchored by the house’s Leather Pleated Jacket , which she opted to drape casually over her shoulders rather than wear fully, creating a relaxed silhouette against the racetrack backdrop. She paired this with high-waisted Leather Details Pants , characterized by prominent gold zipper hardware at the hips and tonal leather paneling on the legs. A minimalist white bandeau top provided a crisp visual break from the heavy textiles, while black pointed Legacy Boots completed the vertical line. The outfit was finished with the delicate Eau De Rose Cut Lariat by Logan Hollowell and a stack of colorful F1 VIP lanyards.
Formula 1 paddocks have rapidly evolved into arguably the most influential runways in luxury fashion, demanding a specific code of “moto-core” that balances mechanical durability with editorial polish. De Armas’s choice reflects the current trajectory of celebrity event look styling at sporting events, where heritage luxury brands like Louis Vuitton are recontextualizing their leather goods heritage to fit the gritty, adrenaline-fueled atmosphere of motorsport.
The success of this ensemble lies in its refusal to descend into costume. While the zippers and leather panels clearly nod to the engineering aesthetics of Formula 1, the styling retains a distinctly Parisian polish. The decision to pair the rigid, armored texture of the Leather Details Pants with a sliver of skin at the midriff prevents the look from feeling suffocatingly heavy. The precision of the gold hardware mirrors the technical complexity of the cars on the track, suggesting a synergy between the wearer and the environment that feels deliberate rather than decorative. While the jacket drape is a common styling trope, here it functions practically to mitigate the visual weight of wearing leather in the Emirates heat. It creates a silhouette that is audacious yet composed, effectively bridging the gap between spectator and spectacle.
Sofie Dossi wore a black corset dress and red fur coat at the Percy Jackson Season 2 premiere.
Sofie Dossi attended the world premiere of Disney+’s “Percy Jackson and the Olympians” Season 2 in Los Angeles on December 3, 2025, wearing a look that fused corset-coded drama with red carpet-coded clarity. The black lace-up corset dress , styled with a red fur coat draped over the arms , was paired with black high-heeled boots featuring fringe accents , creating tonal contrast and fashion moment punctuation . The silhouette — bold, composed, and deliberate — reframed celebrity look logic as red carpet arrivals choreography .
Her styling — loose waves , minimal jewelry , and a confident stance against the oceanic Percy Jackson backdrop framed by classical columns — added compositional clarity and iconic appearance resonance. The juxtaposition of fantasy-coded scenography and edgy couture , paired with the textured boot fringe and fur layering, amplified the outfit’s haute couture logic, positioning Dossi as a designer outfit figure engineered for red carpet-coded spectacle.
