Megan Moroney wore a glittery pink sheer top and pleated mini skirt for her SiriusXM Studios media visit in Nashville, February 2026.
Let’s be clear: this is how you sparkle without looking like prom. Megan Moroney walked into SiriusXM Studios in Nashville on February 5th giving full pop princess energy—with a twist that still said “work trip,” not full concert stage.
She wore a long-sleeve pink glitter top , semi-sheer and fitted close to the body, complete with a delicate high neckline and a tiny bow pin that somehow didn’t get lost in all the shimmer. The fabric catches light without looking cheap— not easy when you’re going full sparkle in a studio setup. Smart move to keep everything in the same color family.
The top tucked into a mauve-toned pleated mini skirt , structured like a school uniform but with way more polish. It gives balance—flirty but not overdone. And the platform heels ? Rose gold satin, high and shiny, finished with the triangular Prada logo right on top. They felt fancy, but because she kept the rest of the outfit tight and tonal, they didn’t overpower anything.
What I like most is how the whole thing makes sense for a media event like this. It’s camera-friendly, moves well when you talk, and walks the line between dressed-up and relaxed. Glamorous but not sweaty about it.
To sum it up—studio glitter, staged just right.
Emma Roberts wore a black mini dress and leather jacket to Abercrombie Fitch’s Super Bowl fashion event in San Francisco, February 2026.
This wasn’t a look screaming for attention—and that’s what made it sharp. Emma Roberts pulled up to the Abercrombie & Fitch Super Bowl fashion presentation in San Francisco on February 7 with something that felt refreshingly dialed down. Not a costume. Not a trend grab. Just clean, simple, and kind of cool without trying.
She wore a matte black mini dress , straight-cut and strapless, no fuss. The kind of piece that relies completely on fit and attitude. Over it, a dark leather jacket with just a hint of structure—enough to make it feel done, but not stiff. It’s the jacket you bring because you actually plan to stay through the night, not just pose and bounce.
Flat black shoes ground everything back in reality. Smart choice, honestly. Between the dark wood-paneled venue and the whole retro varsity club vibe of the event, anything stiletto-y would’ve felt out of place. Accessories stayed minimal—just a beige shoulder bag and a few slim rings.
What I like here is that Emma didn’t try to overdress just because the setting said “Super Bowl.” This lands right in that zone between event appearance and “just passing through,” which on her, works. She looked like herself—like someone slipping in, saying hi, catching a comment about the halftime show—and dipping.
Some outfits whisper. This one barely muttered. Best choice of the night, honestly.
Celeste wore a deconstructed off-shoulder outfit with a distressed grey skirt at the Wuthering Heights premiere in London, February 2026.
There’s a very specific kind of risk in wearing red carpet looks that feel like they were pulled out of a foggy attic. And somehow, Celeste made it work.
At the Wuthering Heights film premiere in London, she leaned fully into the chaos-romantic energy of the story with a twisted, almost costume-adjacent designer outfit that looked rough on purpose. The top is essentially a wooly charcoal cardigan —off-the-shoulder, almost slouching—and buttoned once in the middle to hold on. Paired with that is a storm-colored distressed skirt , long and worn, with a front slit and raw hem so frayed it nearly hits decay as a vibe. Stacked double leather belts , mismatched and cinched like they’ve been through something, break up the proportion and give it shape. It’s giving windblown torment, in a calculated way.
And the accessories ? Kept sharp. A metallic clutch , one glinting moment of modern polish. Dark peep-toe heels peek out from under the skirt, and there’s heaviness in that step. Her necklace is delicate—a contrast to the damage aesthetic of the clothes—and the messy bangs with damp texture are frankly perfect here. Not styled-to-death. Not pristine. Just weathered .
Here’s what I think: it works because it feels like a character, not a template. If she’d gone full glam here, it would’ve felt fake with this film. But this? This is commitment.
It’s not classically pretty. But it’s absolutely the right kind of weird for a fog-slicked red carpet appearance like this one.
