Meghan Markle wore a Max Mara Lilia Coat with Argent satin trousers, Ralph Lauren striped shirt, and Manolo Blahnik pumps at the Project Healthy Minds Festival 2025.
On October 10, 2025, Meghan Markle attended the Project Healthy Minds’ World Mental Health Day Festival at Spring Studios in New York . She arrived in a Max Mara Lilia Coat layered over a Ralph Lauren striped cotton shirt , paired with Argent Single Pleat Trousers in Satin Twill . Completing the ensemble were Manolo Blahnik BB Pumps in Luggage Suede , a Loro Piana Loom Bag L25 in Nougat/Warm Tan/Sun Gold , and accessories including Guzema Mini Sphere Earrings in 18K Gold , a Lauren Ralph Lauren Square Slide Buckle Belt , her Cleave & Company Diamond Engagement Ring , and a Cartier Love Yellow Gold Bracelet . The look balanced professional polish with understated luxury, situating Markle among the most composed appearances of the day.
Markle’s choice of tailored separates reflected the ongoing 2025 embrace of quiet luxury , where investment pieces from heritage houses signal refinement without overt logos. The Max Mara coat, long a symbol of timeless outerwear, reinforced her preference for wardrobe staples that transcend seasonal trends. The striped shirt and satin trousers introduced a note of approachable professionalism, aligning with the event’s focus on mental health advocacy—where credibility and relatability matter as much as glamour. The accessories, particularly the Loro Piana Loom Bag and Cartier bracelet, underscored her alignment with discreet yet powerful signifiers of status.
The ensemble is refined in its interplay of authority and accessibility. The coat’s structure projected gravitas, while the striped shirt softened the look with a touch of informality. The suede pumps and tailored trousers grounded the outfit in practicality, though some might argue the tonal palette leaned toward predictability. Still, the overall impression was one of deliberate restraint. The sharp observation here is that Markle’s styling illustrates how public appearances at advocacy‑driven events increasingly demand a wardrobe that communicates both seriousness of purpose and cultural fluency—where fashion becomes a tool of credibility as much as aesthetics.
Mia Jenkins wore a sleeveless white fringe dress with silver sandals and jewelry at the Culpa Nuestra premiere in Ibiza on October 1, 2025.
On October 1, 2025, Mia Jenkins attended the Culpa Nuestra premiere at the Destino Five Ibiza Hotel , stepping out in a look that balanced elegance with playful detail. She wore a sleeveless white dress featuring fringe accents at the hemline , paired with silver high‑heeled sandals . Her accessories included bracelets and rings , which added subtle sparkle without overwhelming the clean lines of the dress. Standing before a floral arch of blue, yellow, and pink blooms, Jenkins embodied the celebratory tone of the evening, her styling aligning with the relaxed yet polished atmosphere of Ibiza’s luxury setting.
The choice of a white fringe dress reflected the ongoing 2025 trend of movement‑driven detailing , where garments are designed to come alive in motion. Fringe, historically associated with both 1920s flapper exuberance and 1970s bohemian ease, has reemerged as a favored accent for red carpet and event appearances. In Ibiza—a location synonymous with nightlife and Mediterranean glamour—the look resonated with the island’s reputation for blending sophistication with a sense of freedom. The floral backdrop reinforced the interplay between natural vibrancy and fashion spectacle, situating Jenkins within the broader cultural narrative of premieres as lifestyle showcases as much as cinematic milestones.
Rosamund Pike wore a dark top with an embellished skirt while holding a green apple and lamp on the Glass Magazine Autumn 2025 cover.
For the Autumn 2025 issue of Glass Magazine , Rosamund Pike appears on the cover in a visually striking editorial composition. She crouches low on a patterned carpet, holding a green apple in one hand and a lamp in the other , dressed in a dark top paired with a light‑colored skirt adorned with embellishments . The plain background heightens the surreal quality of the image, directing focus to Pike’s unusual pose and the symbolic props. This cover situates her firmly within the realm of high fashion editorial , where narrative and styling merge into a single visual statement.
The imagery reflects the ongoing 2025 fascination with surrealist fashion photography , where everyday objects are recontextualized to provoke thought. The apple, long a symbol in art history—from Magritte’s surrealism to biblical allegory—adds layers of meaning, while the lamp suggests illumination both literal and metaphorical. Pike’s styling, restrained in palette but rich in texture, contrasts with the eccentricity of the props, creating a tension between elegance and absurdity. In the broader cultural landscape, this editorial aligns with the trend of fashion spreads functioning as conceptual art , where the celebrity subject becomes both muse and performer.
