Meghann Fahy wore a black sequined halter‑neck gown with styled hair at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. The carpet lined with logos — FIJI, milagro, Critics Choice Awards stamped across the backdrop. Meghann Fahy stepped into that frame in a gown that caught light with every move.
Black, sequined, halter‑neck. The neckline pulled tight, shoulders bare, fabric flowing long. The sequins weren’t overwhelming, more like scattered sparks across the surface. Hair styled clean, pulled back enough to keep focus on the dress. Shoes hidden, jewelry not obvious. The look leaned on texture, not accessories.
Alicia Silverstone wore a strapless shimmering silver gown with draped detailing at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. The carpet lined with logos — FIJI, milagro, Critics Choice Awards stamped across the backdrop. Alicia Silverstone stepped into that frame in a gown that caught light with every shift.
Silver, strapless, floor‑length. The fabric shimmered, not glittery but metallic, like liquid folded into cloth. Draped at the waist, gathered at the hips, the design pulled the eye sideways before falling straight down. The neckline cut clean, shoulders bare, hair styled to keep the focus on the dress.
Emilia Jones wore a custom Thom Browne strapless black look with a Boucheron Lavalliere Diamants necklace at the 31st Annual Critics Choice Awards 2026.
Santa Monica, January 4th. The carpet lined with logos — FIJI, milagro, Critics Choice Awards stamped across the backdrop. Emilia Jones stepped into that frame in a look that felt sharp but pared down.
Black, strapless top. Long skirt trailing, clean lines, no fuss. The outfit didn’t chase shimmer or sequins, it leaned on structure. A statement necklace — Boucheron Lavalliere Diamants — sat heavy at the collarbone, pulling the eye upward. Jewelry became the punctuation, not the decoration.
The silhouette was direct. Fabric cut straight, no excess. Shoes hidden, hair styled simply, leaving the necklace and neckline to carry the moment. It read as Thom Browne’s custom work — restrained, architectural, but softened by the way she wore it.
The critic’s note: Jones’ choice leaned into minimalism. A look that didn’t need embellishment, instead relying on shape, necklace, and presence.
On October 30, 2025, Meghann Fahy attended the TIME100 Next Gala at The Current at Chelsea Piers in New York City, delivering a red carpet fashion moment that fused ruffle-coded elegance with editorial silhouette control.
For her red carpet arrival at TIME’s celebration of emerging global influence, Meghann Fahy stepped into the spotlight wearing a look that redefined celebrity dresses through texture logic, silhouette layering, and couture rhythm.
She wore a Chloe ruffled bralette in silk mousseline and lace , paired with a tiered maxi skirt in washed silk taffeta — a voluminous rust-toned piece that introduced architectural movement and editorial punctuation. The cream-colored crop top added tonal contrast and softness, while the layered skirt anchored the ensemble in sculptural drama.
Fahy accessorized with a Tiffany & Co. Schlumberger Sixteen Stone Ring and the Bird on a Rock Pendant in platinum and gold with diamonds , injecting sparkle logic and institutional clarity. Her styling — pulled-back hair , bare neckline , and confident pose — turned the branded backdrop into a fashion moment vignette , where elegance was defined by edit, posture, and presence.
Fahy’s styling reflects the 2025 trend of ruffle-coded couture fashion , where volume and texture are reimagined for designer outfit modularity . The Chloe ensemble — romantic yet sculptural — channels the rise of red carpet arrivals punctuation , while the crop-and-maxi pairing introduces celebrity look rhythm .
The pendant adds iconic appearance symbolism , and the rust palette injects best dressed clarity . In a landscape where red carpet fashion often leans toward minimalism or embellishment excess, Fahy’s ensemble signals a pivot toward editorial silhouette storytelling — where elegance is defined by mood, message, and sculptural control.
This moment also aligns with the growing wave of institutional fashion narratives , where TIME100 honorees merge personal style with cultural relevance. Fahy’s look speaks to confidence, authorship, and the quiet power of a well-edited ensemble designed for recognition, rhythm, and editorial impact — even when the carpet is red and the spotlight is legacy-coded.
