Melania Trump wore a belted black coat dress and pointed pumps during her NYSE appearance in New York City on January 28, 2026.
During her visit to the New York Stock Exchange on January 28 , Melania Trump delivered a look that was less fashion-as-statement and more about presence. Sleek, unbothered, and cohesive. Her black coat dress hit mid-calf—no embellishment, just shape. It flared slightly from the waist, structured but not stiff, like something intended to carry weight without drama.
The focal point? A wide black leather belt with contrast stitching, cinched high but not aggressively so. It carved out a silhouette that felt pulled from classic civics-wear—boardroom, briefing, or press backdrop. A little old-school, a little cold steel. The waterfall waves in her hair soften it—their movement contrasts the blunt lines of the coat. Glossy, evenly shaped. The makeup was barely-there glam. Flawless skin, neutral lips, brows shaped surgically into place.
Tyla wore a cropped fur jacket, denim capris, and pink studded heels after the Valentino Haute Couture show in Paris on January 28, 2026.
After the Valentino Haute Couture show in Paris, Tyla pulled off what can only be described as 2005 through the lens of 2026. A chaotic mix of textures, nostalgia, and confidence—all sharpened by the fact that she looked like she knew exactly what she was doing.
Let’s break it down: A heavy, honey-colored cropped fur jacket, fuller than it needed to be, like it wanted to be seen before she did. Underneath, a slinky white crop top—thin ribbed cotton, barely there—which made the coat hit even harder. She paired them with low-rise, distressed denim capri pants. Surprisingly tight. Just past the knee. The kind that sits lower than anyone dared to wear in a decade, but here, somehow, they feel nailed.
On her feet? Pink pointed studded heels, strappy and loud, like bubblegum armor. Then the accessories walked in: A chunky pendant necklace, oversized hoop earrings, silver rings. A beige top-handle bag with chain accents swinging from one hand, like “Yeah, this too.” Most unmissable? The hot pink leather beret-cum-cap mashed low over the forehead, embroidered with symbols—possibly letters. Possibly inside jokes. Either way, it’s part cosplay, part street-slipstream.
Margot Robbie wore a custom Schiaparelli ombré gown with lace and velvet at the Wuthering Heights world premiere in Los Angeles, January 2026.
At the world premiere of Wuthering Heights in Los Angeles on January 28, Margot Robbie arrived in a look that could only have existed in the realms of couture and a certain unapologetic surrealism. The silhouette reads classic at first—strapless, fitted at the bust, dramatic skirt—but the construction quickly subverts that instinct. A corset-style bodice made of sheer black lace clings to her torso with the tension of something historical, maybe even ghostly. Directly beneath, a massive drop-waist peplum of sculpted black velvet juts out like the lid of a blooming flower. The hem blooms further into red. Not poppy red. Stage curtain red. Heavy, gothic, theatrical.
It’s custom Schiaparelli , and it shows. The drama isn’t just visual—it’s structural. The gown turns the body into stage architecture.
Around her neck: the unmistakable Cartier Taj Mahal necklace , with its signature engraved heart-shaped pendant, suspended by a thick gold chain right at the collarbone. A power piece. Her earrings— Lorraine Schwartz diamonds , intentionally understated but still cutting—echo the neckline. One ring, bold in proportion: a Fred Leighton ruby and diamond statement that borders on symbolic. Not just jewelry as detail, but as punctuation.
