Melissa Joan Hart wore a silver sequin gown with fringe details at the 7th Annual Jam for Janie GRAMMY Viewing Party 2026.
At the 7th Annual Jam for Janie GRAMMY Awards Viewing Party in Los Angeles on February 1, 2026, Melissa Joan Hart made a quiet case for maturity done right. No fuss, no over‑styled sheen—just a confident shimmer. Her silver sequin gown caught the sunlight as she stepped onto the carpet, fine spaghetti straps anchored over a straight neckline . The light skimmed down to long black fringe beading that moved loosely with each step.
She kept it minimal: small earrings, thin bracelets wrapping the wrist, a black clutch. Hair in a soft up‑do with a few escaped strands, makeup warm and calm rather than glossy. The fit wasn’t sculptural or dramatic, more lived‑in sparkle—like a dress that wants to dance a little but not perform.
Within the night’s parade of statement looks, hers felt deliberate in understatement. Sequins often slide toward flash, but she turns them social—something human, something fun. It’s the kind of glamour that looks best when slightly unbothered.
Elle Fanning wore a Vivienne Westwood corset top and white trousers at the Apple TV Press Day in Santa Monica 2026.
At Apple TV’s Press Day held at Barker Hangar in Santa Monica on February 3, 2026, Elle Fanning drifted in wearing something that felt half Victorian portrait, half California ease. Her top—the Vivienne Westwood Bea Cardigan‑Effect Cotton Corset in White —sat off the shoulders with small gathered sleeves and old‑style wooden buttons . The shape sculpted the waist without screaming about it. Below, wide‑fit linen‑textured white trousers gave the outfit room to breathe.
Christian Louboutin Miss Z Metallic Leather Pumps peeked out in pale sheen, quietly matching the minimalist palette. A thin Cartier Love Cuff slid over one wrist—just enough polish, not decoration. Hair down, parted slightly; makeup soft with a single note of warm lipstick. Nothing complicated, everything intentional.
It’s a look built on quiet engineering—structured corsetry disguised as simplicity. Westwood’s history in tailoring rebellion meeting modern tech‑day press codes; playful but not too knowing. It’s that rare outfit where every crease feels like it belongs.
Style dilemma: Is this simplicity modern restraint or just Westwood’s rebellion dressed in cream?
Olivia Rodrigo wore a sheer lace Valentino Spring 2007 minidress for the W Magazine and Saint Laurent Grammy After Party 2026
At the W Magazine, Charli XCX, and Saint Laurent Grammy After Party on February 1, 2026, Olivia Rodrigo arrived in a vintage piece that balanced nostalgia and bravado. Her Valentino Spring 2007 Dress —a lace‑embroidered, sheer mini —read almost tender under the harsh night lighting. The pattern of powder‑pink florals across a nude mesh revealed a matching Araks Gita Underwire Bra in Bare and Araks Gwyneth Low‑Rise Panty , softly glimmering when she moved. She carried a Fendi Pink Sequin Baguette and wore Jude Haze Sandals in Pink Leather , their muted tone echoing the blossoms on the fabric. Small Anabela Chan Blush Cushion Wing Stud Earrings completed the look without adding noise—a restrained sparkle in the middle of a noisy Los Angeles night.
Part of what makes this event appearance interesting is its quiet resistance to the maximalist red‑carpet energy defining most celebrity event looks today—Rodrigo’s choice is more archival mischief than ornamentation. The lace, originally designed for runway polish, turns subversive in this downtown context.
The Fashion Verdict: The transparency walks the line between vulnerability and certainty. The boat neckline and cap sleeves make the silhouette girlish, but the illusion of exposure keeps it modern. Some might call it daring; it’s really about precision—how each floral motif sits like punctuation over the skin. It suggests a new kind of confidence: nostalgia unbuttoned and worn bare.
Style dilemma: Does this read as revival of early‑2000s romanticism or a defiant Gen Z play on transparency?
