Mia Goth’s TIFF appearance was a study in contrasts—her white halter gown, anchored by noir accents, felt like a ghostly nod to old Hollywood restraint.
There’s a quiet power in simplicity—especially when it’s worn with the kind of eerie poise Mia Goth brings to a red carpet. At the 2025 Toronto International Film Festival premiere of Frankenstein , Goth stepped onto the TIFF step-and-repeat with a look that felt both spectral and sculptural, as if channeling a postmodern Vivien Leigh.
Her gown, a floor-length halter in crisp white, skimmed the body with architectural precision. The fabric—likely silk crepe or a matte satin—offered no embellishment, no embroidery, no distraction. Just clean lines and a black waistband that sliced through the silhouette like a cinematic cut. It was a dress that didn’t need to shout. It whispered.
The black open-toe heels, minimalist in design, echoed the waistband’s starkness, grounding the look in a kind of noir geometry. But the real punctuation came from her necklace: a string of purple stones, cool-toned and slightly offbeat, adding a touch of gothic romance to an otherwise modernist ensemble. It was the kind of accessory choice that feels deliberate—like casting Helena Bonham Carter in a Sofia Coppola film.
Madison Beer’s breakfast run in West Hollywood was peak Gen Z nonchalance—slippers, sweats, and a tank top that somehow felt curated, not careless.
There’s a particular kind of fashion fluency that comes with fame—not the red carpet kind, but the off-duty mastery that turns errands into editorials. Madison Beer, spotted out for breakfast in West Hollywood on September 8, 2025, delivered exactly that: a look that reads casual at first glance, but reveals a quiet precision on closer inspection.
The outfit was textbook streetwear minimalism. A fitted black tank top—likely cotton or modal—hugged the torso with just enough structure to avoid lounge-wear territory. Paired with light gray sweatpants, the silhouette leaned relaxed but not sloppy. The pants, mid-rise and slightly tapered, offered a soft drape that moved with her stride, catching the morning light in subtle folds.
But it’s the accessories that elevated the look. Beer carried a large black handbag over her shoulder—structured, sleek, and likely designer (though unbranded in the image). It added a touch of polish, anchoring the softness of the sweats with a dose of urban edge. On her feet: tan slippers. Not slides, not sneakers—actual slippers. It’s a choice that feels almost rebellious, like she’s daring the fashion world to question her comfort-first ethos.
This is the kind of candid that fuels street style moodboards. Not because it’s aspirational in the traditional sense, but because it’s real. It’s the aesthetic of someone who knows exactly how much effort to withhold.
Gracie Abrams trades stage drama for soft-focus intimacy—her latest Hourglass Cosmetics shoot leans into quiet glamour, with a halter whisper and undone waves.
There’s something arresting about restraint—especially when it’s worn with conviction. In her September 2025 campaign for Hourglass Cosmetics, Gracie Abrams doesn’t just pose; she inhabits a mood. The image, a close-up that feels almost voyeuristic, captures the singer-songwriter in a moment of cinematic stillness, where softness becomes the statement.
