Mia Mckenna-Bruce’s Netflix UK January 2026 shoot moves between yellow energy and red precision, caught in two sharp frames.
In Netflix UK’s January 2026 photoshoot, Mia Mckenna-Bruce throws herself into color. One frame is pure yellow — cropped cardigan, high-waisted shorts, lace socks pulled to the knee. White heels with red soles, hoop earrings swinging. The pose is restless, one leg lifted, arms raised. It feels like dance, or maybe just joy.
Then the switch. Red and white patterned dress, asymmetrical cut, neckline sharp. Burgundy gloves long and deliberate, pink heels grounding it. The background is plain, which makes the outfit louder. It’s not playful like the yellow look. It’s more exact, almost stern.
Together, the spread doesn’t flatten her. It lets her shift. Bright cardigan, patterned dress. Movement and stillness. Netflix UK doesn’t chase one image. It lets Mia be many.
Ruth Wilson wore a black velvet jacket, wide cuffed jeans and sculptural heels for a Harper’s BAZAAR UK editorial shot before Dior’s fall show.
For a Harper’s BAZAAR UK x Dior editorial imagined through the quiet luxury lens of photographer Darren Gerrish, Ruth Wilson sat still. Not posed — placed. A frame within a frame.
She wore a black velvet double-breasted blazer , plush and matte, the fibers soaking up the soft light like ink on silk. Sharp lapels. No theatrics. Just tailored presence. The sleeves finished crisply at the wrist, hands relaxed on lacquered wood — ring-heavy, red-nailed, almost forgotten.
Below: denim. Not faded, not slim. Wide-cut, boxy cuffed jeans , stitched at the knee in a hybrid reenactment of workwear and rebellion. The exaggerated fold at the ankle felt deliberate but unbothered — like the pants refused to end any other way.
Then the shoes. A study in friction. Two-tone pointed slingbacks in cream and black, with a quirky bow, one foot sunk deeper into the carpet’s hush than the other. No symmetry. Pure quiet discordance.
Hair was pulled back — clean and simple. Makeup dialed into one feature: deep, dramatic oxblood lips , defined and defiant. Everything else stayed low-volume.
The mood wasn’t revolutionary. It just slowed everything down long enough to notice.
Bella Poarch wore a floral quilted zip-up two-piece set and accessorized with a plush dinosaur bag at a Pre-GRAMMY party in Los Angeles.
At a Pre-GRAMMY celebration in Los Angeles on January 30, 2026, Bella Poarch arrived with a wink and a plush dinosaur in one hand. And it made perfect sense.
She wore a light zip-up two-piece set , matching jacket and pants in soft quilted cotton with a faint floral print. Think cozy pajamas — but made Y2K runway. The jacket was detailed with silver rope-like stitchwork resembling a military band uniform, giving the look just enough structure to avoid bedtime comparisons.
The pants? Loose. Very wide-legged. Grazing the floor over chunky white platform sneakers . No tailoring here — all comfort, all freedom.
And then… the bag. A red crystal-covered dinosaur plush , carried like it was a necessary accessory — not ironic, not jokey, just her . It sparkled under the lights like it had somewhere to be. That energy tends to follow her.
Hair was long, straight, and untouched-looking. Skin glowy. Blush just enough. Liner tight. Mouth barely tinted. She didn’t need to over-style. She showed up in a mood — and let the clothes carry it lightly.
In a room full of try-hard tailoring, Bella brought serotonin stitched in cotton.
