Mia McKenna-Bruce appears in British VOGUE’s February 2026 issue, styled in Balenciaga and Tiffany & Co for Brett Lloyd’s editorial spotlight.
February 2026 — Mia McKenna-Bruce steps into the pages of British VOGUE , photographed by Brett Lloyd in a portrait that feels part introspection, part emergence. The shot catches her mid-gesture, one arm close, one gaze sharpened, somewhere between vulnerability and assertion. She wears a cropped vintage orange T-shirt by Jerks , a sculptural Balenciaga leather skirt gathered at the hem, paired with black suede mules that ground the silhouette. A slim gold chain belt and jewelry by Tiffany & Co cut glints of softness through the defined structure.
In the accompanying piece, McKenna-Bruce reflects on two whirlwind years–her BAFTA-winning role in How To Have Sex , marriage, motherhood, and now her latest star turn in Netflix’s The Seven Dials Mystery alongside a role in The Lady , Sam Mendes’ Beatles biopic. She describes her new portrayal of Maureen Starkey with clear affection, calling the project “very authentic” and the energy on set “magic.” That mix of grounded warmth and rapid-fire career evolution defines her presence here–it’s not practiced glamour; it’s velocity in slow focus.
Maya Jama appears in UK Vogue February 2026, photographed in multiple looks that highlight vintage textures, modern tailoring, and pre-loved fashion.
February 2026. Maya Jama in leopard print, trench coat layered, shoes sharp. The text across the frame reads “FLASH BACK.” The styling vintage, sourced from eBay, Dolce & Gabbana paired with The Attico. The look feels archival but alive, proving second-hand can be first-rate.
Another frame: jacket Balenciaga, trousers Gucci by Tom Ford. The cut precise, the mood nostalgic. It’s not about newness, it’s about resonance. Clothes with history, worn again, carrying their own rhythm.
Final look: seated against gray, cardigan dark, patch on sleeve, skirt floral yellow and white, heels patterned. The pose elegant, legs crossed, arms resting. It feels quieter, softer, but still deliberate.
The editorial blends commentary with styling. Pre-loved fashion, authenticated, sourced through platforms like eBay and Etsy. The message is clear: vintage isn’t just memory, it’s modern currency.
Emily Bader wore a camel oversized blazer over a brown pinstripe slip dress during a Netflix 2026 promotional photoshoot on a New York City sidewalk.
There is something deliberately unstaged about this shot. Emily Bader , photographed for a Netflix 2026 promotional campaign, leans into her companion on a city sidewalk. Autumn leaves scattered on concrete. A parked car. The kind of ordinary backdrop that makes the clothes do all the talking.
Bader wears a camel-toned oversized blazer — boxy shoulders, gold-toned grommet buttons — thrown over a dark brown pinstripe slip dress. The dress sits short, hitting mid-thigh, with thin spaghetti straps and a hint of black lace peeking at the neckline. It is the kind of pairing that could read as thrown-together if you did not notice how carefully the tones match. Brown on brown on brown, with just enough texture variation to keep it from feeling flat. A fine gold chain necklace sits at her collarbone. Multiple rings on her fingers. Black ankle-strap heels ground the look, adding a touch of polish to what otherwise feels spontaneous.
Her hair is up, loosely pinned, curls escaping. The makeup is warm and natural, nothing overdone. There is an ease here that feels intentional — the kind of celebrity style that suggests the person actually had a say in what they wore. Whether that is true or not, the effect works: she looks comfortable, present, like she belongs on this sidewalk in these clothes.
