Michelle Randolph wore a long black coat layered over flared jeans outside CBS Studios in New York City on February 2, 2026.
If you ask me, cold-weather street style works best when it doesn’t even try — and Michelle Randolph nailed that balance outside CBS Studios in New York City on February 2, 2026 .
She went with a long black coat , oversized and clean. No standout buttons, no unnecessary collar drama — just a solid blanket of deep matte wool that hangs straight to mid-calf. Underneath? You catch slivers of light-wash flared jeans , slightly frayed at the hem, peeking out as she moved. There’s that high-low layering people always borrow from off-duty models but rarely get quite this right.
And then the kicker — sharp pointed heels , reptile-textured, likely deep brown or charcoal under the light. They’re not loud, but they matter. They lift the whole thing out of “just cozy” territory and into deliberate styling. It’s smart layering that does more with less.
What I love about this is it doesn’t perform. It just looks useful, warm, and still put together. The jeans add movement, the coat keeps structure, and the pointed shoes ground it all. It’s not flashy, but it’s together . Which, let’s be honest, is more useful than most of what passes as celebrity street style lately.
To sum it up: this is the outfit you copy when it’s 30 degrees outside and looking cool still matters.
Michelle Randolph wore a sleeveless mini dress with black detail accents at the SCAD TVfest red carpet in February 2026.
It’s giving retro prep with a twist — and I kind of love it. Michelle Randolph hit the red carpet at the 14th annual SCAD TVfest in Atlanta on February 6, 2026 , in a look that felt crisp, clean, and very ready-for-daytime-camera.
She wore a sleeveless cream mini dress , square neckline, slightly A-line shape — but what makes it pop is the panel of black plaid embellishment across the chest. It’s almost school-uniform adjacent, but with shimmer and edge. Underneath? A structured blue collared shirt , just peeking out at the neckline and underarms, almost like it’s sewn-in. Could be. Either way, it ties things together and breaks the flatness.
Footwear moment? Honestly, a strong choice. Pointed black pumps with double bow detail — asymmetrical, sharp, very 1950s-meets-2020s energy . The bows keep it playful even though the shape is all business. Jewelry stayed minimal — silver rings, a bracelet, nude manicure. Hair down, clean, middle-parted, the kind of styling that doesn’t distract because it doesn’t need to.
If you ask me, it’s the kind of celebrity look that goes under the radar but nails the brief. It’s girly without being soft, structured without being stiff. Good for a red carpet that doesn’t want to compete with the Oscars.
Rachel Pizzolato wore a red printed midi dress and tall black boots for Valentine’s Day content at Passes in Los Angeles, February 2026.
You could call it playful, but honestly? It’s sharp. Rachel Pizzolato showed up for a Valentine’s Day content shoot at Passes in Los Angeles on February 5 wearing something that said Cupid, but with edge.
She wore a fitted red midi dress , heart-patterned and curve-hugging, with spaghetti straps and a sweetheart neckline. There’s flirtation there — but then comes the thick black waist belt , big silver buckle dead center, slicing through the sweetness. That belt changes everything.
Then she doubled down with the knee-high black leather boots — pointed toe, strong heel, sleek shape. Less pin-up, more power. They put weight in the outfit. Literally and visually. They ground it.
The backdrop was all satin and roses — soft, glossy, very on-theme — but she cuts through it like someone who didn’t come to play dress-up. Long hair down, soft waves, no overkill. The glam is polished without being stiff. There’s wing props behind her — yes — but thankfully, the look doesn’t collapse into silliness.
Here’s why this works: it’s got structure. The belt stops the dress from sliding into cliché. The boots take it out of novelty. And Rachel? She’s carrying it with a calm that says: I know it’s themed — and I still look good.
