Michelle Randolph wore a tan mini dress and oversized suede jacket in a February 2026 studio portrait for SCAD TVfest.
The best editorial looks are the ones that sit in that odd space between styled and stolen-from-reality — and Michelle Randolph nailed that contradiction in this SCAD TVfest portrait shot by Robby Klein , February 2026.
The bones of the outfit are carried over from her red carpet moment — that same tan mini dress , sleeveless with a square neckline and that jeweled grid detail up top. But in this photoshoot , the energy changes. Why? The jacket does all the work. A massive, oversized olive-brown suede coat with contrasting black leather patches on the shoulders and pockets. It swallows her frame just a bit — on purpose — and the sleeves hang lower than they need to, which kind of makes it better.
Behind the softness is structure. The sharp blue shirt collar still peeks out, anchoring the look in polish. And the pointed black heels return, this time with visible patent leather shine and double strap bows that feel too perfect for something meant to be casual.
I think what works is that nothing feels over-modeled — she leans on a silver column like she’s waiting for a text, not a camera click. That’s the whole point of a good fashion photoshoot — styled, yes, but without trying too hard.
Oversized outerwear and tailored minis are having a moment. This pairing pushes that combo into polished editorial territory without killing its charm
Would you rather style this dress layered under a jacket or let it stand on its own?
Maisie Peters wore a white shirt, black tie, and high-waisted shorts in a behind-the-scenes February 2026 i-D Magazine shoot.
There’s something theatrical and blunt about this — and I mean that in the best way. Maisie Peters was captured in a candid BTS frame during the i-D Magazine/My Regards shoot styled by Sophie Scott , and it’s giving art student on espresso and post-punk vinyl.
She’s front and centered in a power pose. Arms crossed. Eyes dead ahead. In a cropped white button-up , tensioned neatly at the collar with a black skinny tie . It’s uniform-meets-underdog. Masculine? Yes. But almost defiant in how styled it isn’t. Below: high-waisted tailored black shorts , aggressively hemmed to thigh level. Paired with sheer black tights and black stilettos, which take it dangerously close to cabaret energy… but not quite.
The hair is platinum and precise. Bobbed with a side part and flipped ends, sitcom-ish but cool. The setting — all warm light and creaky floorboards — makes the crisp whites sharper, the tie suddenly more dramatic. That contrast works. Like a school play that ended up looking better than the original stage version.
If you ask me, this look lands because it feels as staged as it is lived-in. Which is the whole point of a good fashion editorial — characters first, meaning in the styling second.
Michelle Randolph wore a sleeveless mini dress with black detail accents at the SCAD TVfest red carpet in February 2026.
It’s giving retro prep with a twist — and I kind of love it. Michelle Randolph hit the red carpet at the 14th annual SCAD TVfest in Atlanta on February 6, 2026 , in a look that felt crisp, clean, and very ready-for-daytime-camera.
She wore a sleeveless cream mini dress , square neckline, slightly A-line shape — but what makes it pop is the panel of black plaid embellishment across the chest. It’s almost school-uniform adjacent, but with shimmer and edge. Underneath? A structured blue collared shirt , just peeking out at the neckline and underarms, almost like it’s sewn-in. Could be. Either way, it ties things together and breaks the flatness.
Footwear moment? Honestly, a strong choice. Pointed black pumps with double bow detail — asymmetrical, sharp, very 1950s-meets-2020s energy . The bows keep it playful even though the shape is all business. Jewelry stayed minimal — silver rings, a bracelet, nude manicure. Hair down, clean, middle-parted, the kind of styling that doesn’t distract because it doesn’t need to.
If you ask me, it’s the kind of celebrity look that goes under the radar but nails the brief. It’s girly without being soft, structured without being stiff. Good for a red carpet that doesn’t want to compete with the Oscars.
