Mila Kunis attended the 83rd Golden Globe Awards in Beverly Hills on January 11, 2026, wearing a Carolina Herrera Spring 2026 gown with Boucheron jewelry.
Alice Eve wore a yellow cardigan with a gold sequin pencil skirt and metallic platform heels at Cirque Du Soleil’s OVO premiere in London.
Alice Eve at the premiere of Cirque Du Soleil’s “OVO,” Royal Albert Hall, London, January 14, 2026. She stands on the pink carpet, one hand holding a geometric clutch, the other relaxed, gaze soft, not a hint of nerves. The look is a mix of event appearance and offbeat sparkle–a pale yellow cardigan, buttoned up, sleeves long, hem just grazing the top of a gold sequin pencil skirt. The skirt is fitted, mid-calf, covered in shimmering paillettes that catch every bit of light. No belt, no wild embellishments, just the texture of the sequins and the comfort of the knit.
Her hair is loose, parted to the side, styled in soft waves. Makeup is soft, a little blush, lips a muted rose, eyes defined but not heavy. Shoes are gold platform pumps, high, a little bit retro, a little bit “I just want to have fun.” The clutch is iridescent, boxy, a flash of light in her hand. No necklace, just small earrings and a ring.
This is a look that leans into public appearance energy–playful, a little bit quirky, but never overdone. For those who follow event appearance , it’s a reminder that sometimes the best move is to mix comfort with shine–one good sweater, one great skirt, and a little bit of attitude.
She could be anywhere–a gallery, a dinner, or just the last one on the dance floor. Tonight, she’s here, and the sequins do all the talking. The rest is just circus lights.
Gianna Joyce appears in the February/March 2026 issue of Girls’ Life Magazine, photographed in a warm, expressive editorial that celebrates friendship, confidence, and community.
February 2026. Gianna Joyce in a white cropped shirt with red heart buttons, denim high-waisted pants, hair loose, smile wide. The cover clean, fonts bold, red and black. The vibe: playful, direct, no fluff.
Inside, the tone shifts. Gianna’s story unfolds in fragments — a girl who didn’t fit in, who found her voice through content creation. ADHD, outsider energy, no squad. Then TikTok. Then GlowHouse. A collective built not on perfection, but on real talk, messy joy, and showing up.
She’s the kind of Galentine who makes baskets for her friends, throws themed sleepovers, and volunteers at shelters. Her comfort line, Homebody, launched with numerology drops and soft fabrics. Her grief for Zuza Beine, the youngest GlowHouse member lost to cancer, reshaped her view of friendship — deeper, rawer, more urgent.
