Mila Kunis wore a strapless floral Carolina Herrera Spring 2026 dress with Boucheron jewelry at the 83rd annual Golden Globe Awards.
Mila Kunis at the 83rd annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, one hand on her hip, the other relaxed, gaze steady, not a hint of nerves. The dress is Carolina Herrera Spring 2026 –strapless, full-skirted, with a fitted bodice and a sweeping, floor-length hem. The fabric is ivory, covered in intricate floral embroidery–soft gold, silver, and black threads winding across the surface, giving the whole thing a little bit of old-world romance, a little bit of modern edge.
Her hair is parted in the middle, straight, tucked behind her ears. Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy. Earrings are Boucheron Vintage Serpent Boheme Gold , a subtle nod to classic glamour. On her fingers, a Boucheron Serpent Boheme Ring Three Motifs and a Serpent Boheme Ring S Motif . Shoes are hidden, but per context, Aquazzura Voile Pumps . She carries a Tyler Ellis Suzannah Clutch in Black Diamond Satin with Gold Hardware –small, boxy, just enough shine.
This is a look that leans into red carpet fashion –romantic, sculptural, but never costume. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the embroidery do the talking. The dress is for the cameras, the jewelry is for the flash, and the attitude is the real accessory.
She could be anywhere–a gala, a wedding, or just lost in the crowd. Tonight, she’s here, and the flowers do all the work. The rest is just background noise.
Florence Hunt wore a sculptural halter gown during her Elle behind-the-scenes photoshoot for the Bridgerton Premiere in January 2026.
In a quiet, intimate studio portrait moment , captured by Darren Gerrish for Elle ‘s behind-the-scenes shoot ahead of the Bridgerton premiere, Florence Hunt stands centered in a vintage elevator alcove, dressed in a halter-style gown covered top to toe in soft ivory disc appliqués. The garment reads as a sculpted sheath from a distance–close-up, it’s carefully chaotic. Each layered scallop catches shadow and light, disrupting the flat surface with rhythm and texture. Around her neck, a deep black ribbon-tie collar anchors the look with contrast, like punctuation at the top of a visual crescendo. Skin is bare, styling is spare–no visible jewelry, hair pulled back, makeup minimal. This is fashion holding its breath. It’s also unmistakably part of a current wave of editorial high fashion styling–less glam, more character.
As far as celebrity photoshoots go, this one keeps an unexpected tension: she’s pre-event yet oddly posed, framed like a swan in staging rather than a star mid-glow. That tension works.
Florence Hunt is not just a rising actress but also a low-key face of this moment’s softer iterations of modern feminine dressing–where detail leads over drama and everything rests on good bones.
Natalie Alyn Lind wore a black chain-strap column gown for her Vanity Fair Awards photoshoot in Los Angeles in 2026.
She stands alone under the arched wall of Vanity Fair , light grain on the photo giving everything a secret-after-hours feel. Natalie Alyn Lind, Los Angeles, January 2026: a single-frame photoshoot that doubles as proof of the little-black-dress’s staying power. The gown falls straight to the floor, no flare, no train–just liquid darkness. One gold chain strap crosses the left shoulder, catching the flash; the right side stays bare, a slim V neckline carving sharp focus to her face. Hair spills in undone waves, nails lacquered red, jewelry limited to a slim bracelet and discreet ring. The shot slips neatly into the endless scroll of celebrity photos –then exits just as fast, like a whispered name.
