Mila Kunis wore a white hoodie with rainbow graphic, dark brown leggings, and light grey sneakers while leaving Starbucks in Los Angeles on January 22, 2026.
Mila Kunis was spotted leaving a Starbucks in Los Angeles on January 22, 2026 — the kind of moment that doesn’t ask for applause, just a quiet nod. She’s in a white oversized hoodie, the kind you pull on when you’re not trying to impress anyone but yourself. There’s a small rainbow stripe across the chest — not political, not performative, just there. Dark brown leggings hug her legs, practical, unapologetic. Light grey sneakers, probably Asics, look lived-in, like they’ve done miles. A teal backpack with geometric shapes hangs off one shoulder — functional, maybe even thrifted. Sunglasses hide her eyes, which is fine. She’s holding a green drink and her phone. That’s it. No fanfare. No styling team. Just a woman walking down a sidewalk, doing the thing.
What’s more telling than the clothes is the posture — shoulders loose, gaze ahead, not scanning for cameras. That’s the real statement. Not the hoodie. Not the bag. The way she moves through the world like it owes her nothing, and she owes it even less.
Rose wore a striped crop top, blue jeans, olive coat, and grey knit scarf while departing Incheon Airport on January 23, 2026, accessorized with Khaite x Oliver Peoples sunglasses and a Saint Laurent shoulder bag.
Rose was spotted at Incheon Airport on January 23, 2026 — not posing, not waving, just walking through the terminal like she’s done this a thousand times. She’s in an olive coat, slightly oversized, sleeves pushed up. Underneath, a black-and-white striped crop top, the kind you’d grab on a lazy Sunday. Blue jeans, mid-rise, straight leg, nothing fancy. A thick grey knit scarf loops around her neck, drapes down past her hips — practical, maybe even borrowed. Brown leather belt cinches the waist, holds the jeans in place. On her face: dark cat-eye sunglasses, narrow, almost severe. Hair’s blonde, loose, catching the fluorescent lights. In her right hand, phone. Left hand? Ring. Big one. Tiffany & Co. Schlumberger Sixteen Stone Ring — it’s there, unmistakable. Slung over her shoulder: a Saint Laurent Amalia Suede Shoulder Bag, gold chain strap glinting under the overheads. Not flashy. Just… there. Rose doesn’t need to announce herself. This isn’t a red carpet. It’s not a photoshoot. It’s transit. The coat’s not couture, the jeans aren’t vintage, the scarf isn’t designer. But together? They work. The proportions are off-kilter in a way that feels intentional — the long scarf against the cropped top, the bulky coat over the fitted jeans. It’s not polished. It’s layered. Like she threw on whatever felt right that morning. The sunglasses hide her expression, which is fine — some days, you don’t want to give anything away. The bag? It’s expensive, sure, but it’s also functional. The ring? It’s a statement, but not loud. It’s just… hers.
Rosé appears in ELLE Korea’s February 2026 issue, styled in multiple bold outfits with layered textures and urban contrasts.
The February 2026 issue of ELLE Korea places Rosé in a sequence of frames that lean into confidence and texture, each outfit distinct, each pose deliberate.
One cover shows her in a black leather jacket paired with a beret, white collared shirt underneath. Hair loose, styled up, the look sharp but not overdone. It feels like street style , elevated yet casual chic.
Another frame shifts tone. A voluminous gray dress with dramatic sleeves, accessories heavy–earrings, necklace. She sits poised, heels visible, the ruffles swallowing space. It’s less about glamour, more about presence.
Then a mustard-yellow trench coat, shiny, belted at the waist. Bouquet of pink flowers in hand. Against black backdrop, the outfit pops, playful but structured.
A darker editorial follows. Black leather trench coat, sheer tights, white heels, leather cap. Seated on a couch, legs crossed. Minimalist, almost severe, but softened by posture.
Finally, a burnt-orange gown, ruffled and layered, voluminous. Statement earrings, hair slicked back. The gown dominates, the plain background letting color and texture carry the weight.
